Feb 132013
 
Wah. Wah-wah wah-wah wha. Wah wah-wah-wha wah wah...

Wah. Wah-wah wah-wah wha. Wah wah-wah-wha wah wah…

As 2000 Man wrote in his suggestion to conduct this discussion, “It was cool to talk through your guitar way before it was cool to Auto Tune!”

The Talk Box, I was amazed to learn, is almost as old as your youthful-looking Moderator (“But you don’t look a day over 47!” a colleague recently told me). Pedal-steel guitarist Pete Drake introduced this effects box that does stuff those of you more technically minded will better understand if you read about it for yourself, here. Such effects go back to the ’30s, which you can also read about on the effects’ Wikipedia page. Fascinating stuff that will go on my long list of “Things I Couldn’t Have Invented If I Had a Million Years to Think About Them.”

The Talk Box came into my world—and likely yours—in the 1970s, that glorious decade of extraneous technological developments. There are probably a dozen strong candidates for the Best Use of the Guitar Talk Box that I am forgetting, so you may write-in an “Other” candidate. The nominees and the RTH People’s Poll follow…after the jump!

Continue reading »

Share
Feb 122013
 
Wings Over Nashville.

Wings Over Nashville!

Wings over Nashville! Paul, Linda and the band when they were living on Curly Putman, Jr’s farm in the summer of 1974.

Share
Feb 122013
 

It’s time we determine—once and for all—the Greatest Key Change Deployed at the End of a Song Because It’s Going Nowhere. “Greatest” is defined here as “you know what? That schlock arranger’s trick actually works in this song, and it’s genuinely better for it.”

I was reminded of this on my way into work, when “Living On a Prayer” came on the radio, and I found myself waiting for the schlock key change moment near the end of the song, which occurs here (sneak ahead to the 3:23 mark):

Is there best use of this trick? I’m not sure. I need your help!

This is an open-entry discussion. Make your case. We will tabulate/assess the winner on February 28, 2013.

Share
Feb 112013
 

“We Are Young,” the big hit song from fun., isn’t that bad. I can handle the kidz digging it. It’s upbeat. It’s hopeful. It’s over the top in a way that Queen already got me used to hearing and at least appreciating in my youth. I heard an interview with the band last year, and I could stomach that as well. They seemed like nice guys.

Beside some other song my younger son likes by them that sounds like Paul Simon’s “Cecilia” I’d never heard another lick of their music nor seen them perform. While flipping channels last night I stumbled across their performance on the GRAMMYS. This is all I watched of last night’s GRAMMYS.

http://www.dailymotion.com/video/xxfh5y

The band’s collective Flock of Seagulls Look was not appealing to me, but I could laugh about it. I’m not one to spot poor pitch, but I felt the singer was way sharp on a number of notes. Earlier yesterday I heard U2’s “New Year’s Day” on the radio and thought to myself, “For as frequently as I’m subjected to hearing this song and for all the emotion Bono is exuding I should like this song just a little by now.” I find “New Year’s Day” completely boring, but at least Bono seems to hit his notes. Whatever, it wasn’t like the fun. singer hitting his notes would have made this Styx-like song any better.

The one thing I could not get beyond was the singer’s clam-digger jeggings. Come on, man, that’s a bad Look! I hate the ’80s. I’d like to punch that entire decade in the face.

Continue reading »

Share

Lost Password?

 
twitter facebook youtube