How many instances of real musicians/bands appearing on a prime-time television shows (variety shows excluded) primarily as an excuse to promote a new song can we recall? Pure acting gigs by musicians do not count, but we’ll accept acting/performing appearances as characters other than themselves, provided that their performing characters are not too different than their usual performing selves. For instance, there’s an episode of Columbo in which Johnny Cash acts and performs as a character, Tommy Brown. That would count because, as you can see in the following clip from that episode, Tommy Brown has just enough of a resemblance to Johnny Cash.
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Name a rocker who has recorded a show tune.
It must be a genuine rocker covering a bona fide show tune. For instance, Donny Osmond recording “Joseph’s Amazing Technicolor Rain Coat” doesn’t count.
Once again, I think this will be a short one because I can only think of two instances, but you guys never cease to amaze me.
I’ll lead off with Tom Waits doing “Somewhere” from West Side Story.
Someone put a sign up here at work which says they are selling four tickets for the Billy Joel/Elton John tour. The tickets are $250 a pop.
I’ve become numb to high ticket prices over the years because I don’t go to “big” shows anymore. It’s like hearing numbers about the federal deficit: on a certain level it registers that it’s a lot of money but it doesn’t affect my daily life. I have been obsessed with music since about 7th grade but $1,000 for four seats in a baseball stadium struck me as pretty outrageous, and I can’t think of anyone that I would pay that kind of money to see. I suspect that there is an inversely proportional relationship between the level of rock snobbery and the amount one is willing to pay for a show.
So the question is this: What is the most you would pay to see a show and who would you pay to see?
A couple of qualifications:
- It has to be a possibility (No “Clash in ‘79” or “Who at the Marquee” answers).
- We just talking about the price that you pay for admittance. You can’t factor in transportation, beer, concert tees, etc.
Me? I might go as high as $100 for a Replacements reunion tour depending on the venue, or a Tom Waits show if he had Marc Ribot with him. But I might not.
Tinted Windows is the new supergroup featuring Taylor Hansen, James Iha from Smashing Pumpkins, Adam Schlesinger from Fountains of Wayne, and Bun E. Carlos.
Based purely on the concept of this group and the history of its members, and not on any actual music you may have heard by them, what do think of this group?
What do you think each band member is contributing aside from playing their instruments?
Where do they will rank in the hierarchy of supergroups (ie, above GTR but below the Continental Drifters)?
Who would you say is the greatest supergroup on paper?
Who would you say is the greatest supergroup in reality?
RIP, indeed. Billy Powell was Great.
On One From the Road, Ronnie gives up a “Billy Powell on the piano” at the beginning of the piano solo on (I think) “Call Me the Breeze.” And I’m pretty sure that he introduced Billy’s solos on more than one occasion. (I don’t recall him introducing anyone else, I wonder if that was cause for inter-band tensions.)
What I’m looking for is other shout-outs that have been captured on an official release.
Please confine the shout-out to those which take place during the song, not in between. So, Mick’s introduction of the band in between songs on Love You Live does not count.
I’ll open with what I consider to be the gold standard: “Bob Mayo… Bob Mayo on the keyboards,” from Frampton Comes Alive.
Please consider the following in terms of rock music only, not jazz/classical/etc:
What is the longest song that you are willing to sit through?
What is the shortest recording that you are willing to admit constitutes an actual song?
What is the shortest song that contains an actual bona fide jam?
What is the longest song that does not contain a jam?
Please rank from most preferable to least:
a) ’60s psychedelic jams
b) ’70s southern rock jams
c) ’90s jam-band jams
What do you suppose led to the a dearth of jamming in the ’80s?
Does the MC5’s “Kick Out The Jams” really count as kicking out the jams or is the song structure and performance too tight for the jams to have been actually kicked out?
Name your favorite rock jam.
Name your least favorite rock jam (please be specific, ie, don’t just say Phish).
Do you think that the Hear Factor, Season 2 discs contained any jams? Do you think we’ll ever know for sure?