Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

May 152015
 

BB-King

Legendary longtime Gibson guitar-mate Lucille has confirmed that blues legend B.B. King has died at the age of 89. I’ll be honest, my deep appreciation of King’s legendary blues status is limited to the standard 1-measure excerpt of the chorus of his legendary hit song, “The Thrill Is Gone,” the bit where he hits a legendary, mellow blues chord and sings the legendary line “The thrill is gone…”

I’m not proud of the fact that I’ve never tuned into the song beside that sole K-Tel ad-length snippet. I must have heard it all the way through a few times, but it made no impression on me. Whenever I saw King playing on late-night talk shows and gala events, I couldn’t get beyond the legendary, tuxedo-clad figure sweating out trills on his legendary Lucille, his eyes closed and his jowls shaking in ecstasy in response to his 2-measure lick, while seated on a chair.

My other bit of evidence of B.B.’s legendary contributions to the world of music came to me through his legendary contributions to U2‘s not-quite legendary blooz exercise, “When Love Came to Town.” Let’s face it: I couldn’t even begin to use the term “not-quite legendary” without B.B.’s 2-measure trills.

So listen, before you get mad at me and post “How dare you…!” replies, please let me know WHY I’m wrong in feeling like B.B. King was the Eric Clapton of the Blues, that is, the most highly regarded musician of his genre for little obvious evidence. I’m aware that the joke is probably on me, but I want to learn exactly why B.B. is due the following heartfelt, official remembrance:

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May 052015
 

guessmenow

This morning, as I was getting ready for work, I heard the sounds of Creedence Clearwater Revival‘s “Lodi” coming out of our 13-year-old son’s room. I was filled with pride in the kid’s hard-bitten psych-up music for another school day. Meanwhile, our high school senior son has been all about The Doors (especially his new musical hero, Ray Manzarek) and determining the second-best guitar player after Jimi Hendrix. He’s decided that Eddie Hazel‘s guitar on “Maggot Brain” is his favorite extended guitar solo he’s heard to date. However, he’s disappointed that the rest of Funkadelic‘s catalog, or at least what he’s heard of it so far, doesn’t live up to the promise of that song.

With no tremendous topic to put forth, I ask you: What are your kids listening to, right now?

I look forward to your answers.

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Apr 142015
 

sledge

Singer Percy Sledge has died at 73, after an estimated 27,000 performances of “When a Man Loves a Woman.”

I used to think only so much of Sledge for his one big hit, no matter how great it was. It was overplayed by the time I was 15, and it inspired Procol Harum’s “Whiter Shade of Pale,” about which I’ve always had mixed feelings. About 15 years ago E. Pluribus Gergely and I saw him at a soul revue show at Atlantic City featuring Jerry Butler, Lloyd Price, and others. I’ve mentioned this show a few times before. Don Covay was in the audience, seated in our row, just a few people down from us!

EPG and I started to snicker as Percy waddled out in a tight-fitting tuxedo to sing his “one and only song.” (I know, I know, he made other records, some of which I’m sure are fine.) I expected him to come out like a wind-up doll, but a minute into the performance I felt he was still giving it his all. The performance moved me more than I could have imagined. That was the only song he sung that night, but he committed to it after god knows how many times he had to perform it. Pretty cool!

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Mar 022015
 

smallfryHave you ever taught someone how to play an instrument, even the start-up bits of teaching an instrument? Despite still being a ham-fisted guitarist after 35+ years of playing, I’ve not shied away from doing my best to teach a few people the rudiments of playing guitar. My first “student” was Mike, a neighborhood friend and member of my first band. We were 15 or 16. He had recently acquired his first guitar, just a few months after I got my first electric and resumed lessons after first trying to play when I was about 10 years old. From the start, I was training him to be the other guitarist in our band. He outplayed me within a year, which in part earned him his walking papers. Shame on me!

My next “student” was another old friend, another Mike, who had already been learning the guitar but who needed my individual training to prepare him for the rigors of our band. My first order of business was breaking him of his fascination with the dual guitar leads of his then-favorite band, Lynyrd Skynyrd. Rather than break him of his Southern Rock roots, we ended up finding a way to merge his style into our sound. It led to a wonderful collaboration and extended through our band’s “classic”-era years. Once, while recording songs for an eventual 7-inch at our favorite studio in Rockville, Maryland, Mike was ripping off an outstanding solo on a Clash-inspired song while the rest of us sat in the booth with the engineer.

“What’s that he’s playing,” our usually mild-mannered engineer blurted out, “you’re gonna let him play that?!?!”

“What’s wrong with it,” one of us said, “we think it’s great.”

“It sounds like fucking Southern Rock. How can you have a Southern Rock solo in a punk song?”

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Feb 232015
 

boysofsummer

As I waited for our oldest son to get in the car I turned on the radio to the horrors of Don Henley’s “Boys of Summer.” I decided to let it play to see what Jacob would say. After 2 minutes of not acknowledging that it was playing in the background, he said without prompting, “What is this? It combines the worst of so many styles of music.”

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