Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

May 112021
 
He was a great…man!

Even in his prime, Van Morrison wasn’t ever accused of being remotely “hinged.” He hasn’t married his wife’s daughter yet, so for me, I haven’t quite reached the level of discomfort I feel over Woody Allen. I wonder if he’s fully losing his mind, maybe getting dementia or some other condition that people at his age can get.

I scanned through his new album, with some generic title and clip-art cover. It is as execrable as you might have read in reviews. It’s got that anti-Semitic single you’ve probably heard about. And another song calling those of us on Facebook idiots. All that’s missing is a duet with Clint Eastwood entitled “Get Off My Lawn.” It’s not worth discussing the music. It’s as generic as the album title and cover art. The lyrics are pathetic.

I wonder how much more of these meltdown albums we’re going to be subjected to as the first wave of rockers who wrote their own songs reaches their final years of fear and misery. Pre-rock artists like Sinatra could be spoonfed classics written by others as their personal worldview might have been caving in. That generation of artists didn’t stand for anything personal. They could “Put on a Happy Face” from the American Songbook with the help of a nurse.

Sadly, Van Morrison still has access to his original voice while bitterly rocking away on his porch and watching the world around him become a place that threatens him. He once had the ability to “Listen to the Lion.” I’m going to keep that part of the artist alive and let this present-day crank die off.

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Mar 262021
 

Self-described “Country Music Skeptic and Idiot” Mr Moderator is sold! This morning, he declared, to no one in particular, that Jimmie Dale Gilmore‘s Don’t Look for a Heartache the “greatest album the genre has ever produced.”

“Hands-down,” Mr Moderator said, when asked to expand on this statement, “it’s one of the only country albums that I’ve ever played twice in one day.”

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Mar 122021
 

Here’s the place to do your thing, whether it’s to share a link or an interesting aside or to go on a free-form trolling expedition because you are incapable of finding a way into others’ threads!

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Feb 152021
 

I’ve seen a couple of stories the past week from artists talking about their songwriting process. I love reading and hearing about how artists wrote a particular song.

First, there’s this Guardian piece with Nick Lowe talking about the writing of “Cruel to Be Kind.” Great little piece, but Nick may regret sharing this memory:

Ian Gomm, from the Brinsley days, had taught me the triumphal chord at the top of the song, where I sing “B-a-a-ab-y, you gotta be cruel to be kind”, so he has a co-writing credit.

Friend of the Hall Gomm posted this article on his Facebook page and recalled adding more to the song than that single chord.

A richer article written by the song’s author itself, Peter Holsapple of The dB’s, appeared on our Rock Town Hall Facebook page, courtesy of the excellent Steve Hoffman Music Forums. It’s actually a 2008 New York Times article about the song “Love Is for Lovers,” the single from the band’s third album, Like This. Maybe we even covered this back in 2008, but hey, “It’s COVID-19, Jake.” It’s interesting to read Holsapple’s aspirations for the song and the confluence of circumstances that he felt went into its failure to even sniff the charts.

These are both good tales, but what’s your favorite songwriter tale about the writing of a song?

On a related note, I wish there was a Boomer edition of the podcast (and now Netflix series) Song Exploder. which is all about the writing of a song. My problem is that so many of the artists are youngsters way outside my tastes that I really have to focus to appreciate what these people put together. Although I’m exhausted by paying attention to some milquetoast artist like Bon Iver telling me about the creation of his boring song, I usually do appreciate the process. To give you an idea of how much I hunger for a version of this podcast with artists whose music I dig, the Netflix series episode with REM and “Losing My Religion” was a relative godsend for me. Some of you may know how I feel about REM and that song.

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