Mr. Moderator

Mr. Moderator

When not blogging Mr. Moderator enjoys baseball, cooking, and falconry.

May 022014
 

It might be argued that our readers are not be the best audience to answer this question, but let’s say you were at a party and walked into a room populated by the 6 members of The Association appearing in the following clip. Which guy would you target to converse with, as the band member most likely—relatively speaking—to be the coolest member of the band? From left to right:

  1. “The Cabinet Member”
  2. “The Guy Not Cool Enough to Be Playing a Vox Teardrop Guitar”
  3. “The Singer With the Crooked Mouth Who Looks Like He Should Be Playing One of the Goons in Straw Dogs
  4. “The Shorter Singer Who Likely Instituted the Band’s Dress Code”
  5. “The Bass Player Who Looks Like the Canadian Member of The Rascals”
  6. “The Drummer”

I look forward to your choice and rationale.

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Apr 292014
 

I get as psyched up as any hot-blooded rock ‘n roll fan at the anticipation of a smokin’ harmonica solo in the middle of a blues workout. The harmonica break in any number of early Stones and Yarbirds songs is both exciting and dramatic. I’m appreciative of Stevie Wonder‘s melodic use of the chromatic harmonica on songs like “Isn’t She Lovely.” I dig when Bob Dylan and Neil Young fill the gaps in any one of the dozens of their songs that feature their naive approach to the blues harp. I’ll even sit through a yearly spin of J. Geils Band‘s “Whammer Jammer,” the show-stopping instrumental by full-time harp player and Townman Hrrundivbakshi’s spiritual guide Magic Dick.

I own harmonicas and dream of one day finding a use for one in one of my own songs. I like harmonicas. Honest, I do. However, while watching one of my favorite local bands last weekend, there came a point in their second set when they called up a friend to play harmonica on a song. That led to him playing harmonica on another song and another one and a few more after that. By the third song featuring a persistent harmonica part I started to realize why most bands only break out the big harmonica solo one time per gig. There quickly comes a point when the instrument’s on autopilot. The instrument becomes a condiment. Think of a point in meal when you add mustard or horseradish—or both—to a course, as I did just last night, over a main course of kielbasa and sauerkraut. The condiments perfectly fit that dish, but had I also added the mustard and horseradish to my green beans, my pierogi, and my chocolate babka, it would have been overkill. Not to mention, one would never make mustard or horseradish the core ingredient of any dish, as it might be argued J. Geils Band managed to do when they handed over the keys to a song to Magic Dick. “Whammer Jammer” is an outstanding achievement in terms of culinary standards.

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Apr 292014
 


You KNOW what I’m talkin’ about Andyr, Chickenfrank, and Sethro! How ’bout you use this All-Star Jam to show ’em what it means to gimme some lovin’?

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Apr 252014
 

Driving into work this beautiful spring morning, which followed a (personally, not weather-induced) miserable preceding day and night, I listened to the soundtrack from The Harder They Come, the one reggae album even non-reggae fans need to own. (How it didn’t end up on The Hold Steady’s 10 essential albums list is beyond me!) As Toots & the Maytals’ “Pressure Drop” started up and I tried to hum along with Toots I was struck, as I have been for the past 10 or 15 years, by my declining ability to hum. Although I was more of a whistler, I used to enjoy humming out a tune as a kid. Sometime in my late 30s or early 40s I began to notice that humming felt extremely uncomfortable, giving me a sensation somewhere between the feeling of a limb that has fallen asleep and the moment in the intro to The Six Million Dollar Man when Steve Austin says, “She’s breaking up!” Maybe it’s my receding gums. Maybe it’s the lack of protection afforded by my chicken lips. Whatever it is, I’m always a little disappointed that I can’t hum along exuberantly with Toots at the beginning of “Pressure Drop.”

Even if I could still hum with the freedom and comfort that I did as a kid, I would not have been able to project my hum and even have a raspy quality to it, the way Toots does. That got me thinking, there must be other songs that feature actual humming. My guess is that these songs have not been compiled and discussed in one place before, or at least as thoroughly as they can be compiled and discussed here. In short, Last Man Standing: Songs With Humming Parts.

Go!

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Apr 152014
 
He doesn't want to make it cry or sing.

He doesn’t want to make it cry or sing.

Townsman hrrundivbakshi may want to take a seat before reading this. If there’s a fourth member of his Holy Trinity of Rock (ie, ELO, Prince, and ZZ Top), it may be AC/DC. Here goes…

Reports are flying around that the band is going to call it quits in the wake of rhythm guitarist Malcolm Young‘s recent stroke. This is sad news, obviously. Although I’ve never been a big fan of AC/DC, years of prodding by my close personal friend Townsman Sethro, finally turned me onto the genius of their economical hard rock production power. The band has good hooks to boot, that I came around to enjoying as long as I could block out either of their meathead singers. Watching their videos over the last 15 years of my semi-enlightenment regarding the band’s merits, I was always struck by the dedication and focus of Malcolm Young on rhythm guitar. He seemed to define all that is right in a dedicated rhythm guitarist. He’s the rhythm brother that John Fogerty probably wished Tom would have been, or Mark Knopfler’s would-be rhythm brother, the one who “doesn’t want to make it cry or sing.” The guy was a rhythm machine, with seemingly no need to hog the spotlight. He just kept his head bobbing, his forearms pumping, and the band chugging ahead.

I’ve never known much about how AC/DC operated. I found this passage in the story linked above especially meaningful:

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Apr 112014
 
Natalie Merchant interrupts her set at World Cafe Live to take her first selfie.

Natalie Merchant interrupts her set at World Cafe Live to take her first selfie.

At a recent performance at Philadelphia’s World Cafe Live, former Michael Stipe separate tour bus buddy Natalie Merchant stopped performing to personally confiscate phones from members of her audience.

Merchant did lose patience with cellphones, however, as she confiscated multiple phones (even getting help from Dye) between “Texas” and Ophelia’s “Kind & Generous,” an apt ending for Big Day Out. Asking why it could not still be 1998, when people did not feel the need to be on phones and take pictures all the time, she took a stance rarely taken by performers at a show. And the crowd seemed to be fine with it, as they were joyously partaking in the familiarity of an old tune.

http://thekey.xpn.org/2014/04/07/stirring-spunky-and-sublime-natalie-merchant-enchants-the-crowd-at-big-day-out/

That’s right, Natalie Merchant actually confiscated phones – and had venerated WXPN DJ David Dye help her. She doesn’t have better things to do onstage, like sing and perform? I’m cool with artists having their say about people’s inability to “be in the moment,” but leave it at that. It’s 2014. Revive the Latin Casino or Palumbo’s (two long-closed Philadelphia-area “supper clubs” from the pre-rock age) if it’s that hard to perform in the modern age. She annoyed me when she was relevant. She should be grateful that anyone cares to tweet a photo from the show, or whatever nonsense is important to people these days.

To what degree is it acceptable for artists to react negatively to fans snapping photos and video on their smartphones?

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Apr 112014
 

Quick: What are the first rock ‘n roll intros and outros that come to mind for you! It doesn’t matter if they are from live or studio recordings.

The first intro that just came to mind for me (not my favorite) is the alternating 2-singer count-in to The Rascals’ “Good Lovin'”. That is what’s going on at the start of that song, right?

The first outro that just came to mind for me (possibly my favorite) is Ian Hunter’s “I’ve wanted to do this for years!” during the fade of “All the Young Dudes.” WHAT is it he’s wanted to do for years? That always sticks with me.

KISS Alive I & II are loaded with classic intros, that even I would recognize if I had to hear them again.

Sometimes the outro can come via a show’s MC: “Elvis has left the building!”

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