Why, oh why do some of us feel compelled to dance and sing in front of others? And why does that desire frequently force us to act, you know, really stupid?
In college, I was in a band with townsman kcills, in which we wrote music with no words. By which I don’t mean that it was instrumental music — it was just music to which I would make words up, on the spot. If they were good, they might make it to the next show — or they might not, if I forgot them between one gig and the other.
Now: I was madly in love with a girl on the crew team at the time (oh, Emily! If you only knew how I pined for you! If you only knew how I yearned to kiss you! If you only also knew how disgusted I was when I discovered my best friend had plowed your bean field in a drunken stupor at a frat party!)
Anyhow — because I was a seething cauldron of pain and romantic confusion, I would frequently get up on stage and, for lyrics, just shout out some unintelligible nonsense about how tortured I was by my unrequited love for this girl. It was absolutely, completely pathetic. One day, it dawned on me that the only thing separating me from a screaming lunatic in a tinfoil suit was that I had a guitar and a microphone in front of me. I started getting a bit more serious about lyrics after that.
But I can’t be the only one with an embarrassing story to tell. Do share. I ask you: Musicians! Tell us your most embarrassing moment on stage or in studio. Listeners! Please share the most excruciating musical moment you’ve ever witnessed. Let the healing begin!
Oh, Emily!
HVB