hrrundivbakshi

hrrundivbakshi

Jul 012013
 
http://www.dailymotion.com/video/xq70ez

Greetings, fellow seekers of the wild, the weird, the wonderful, and the presumptively worthless! I come before you today with my usual slab of dusty vinyl scrounged from a flea market, featuring not just R&B third-stringers The Moments, but also their platooning labelmates, the Whatnauts! What could be better?

I’ll tell you what could be better: a full-on R&B conspiracy, featuring a mysterious man in purple who some around here love to hate.

Our story begins with the Moments and the Whatnauts, heard here collaborating on a great little chune called, simply, “Girls.” The groove is light and frothy, the melody pleasing, the sentiment positive and the singing tuneful, plus — what’s that I hear? A rare R&B deployment of a Mellotron! It’s a winner, and here it is for your enjoyment:

01 Girls-Part I

Up next, the villain in this case, one Prince Rogers Nelson, from his soundtrack LP “Under the Cherry Moon,” with one of my favorite Prince deep cutz, “Mountains”. As soon as I heard the Moments/Whatnauts number, I raced back to the stereo to play this track. Can you hear why?

08 Mountains

Have you twigged it yet? Here, this should help. First the opening chords to “Girls”:

01 Girls Opening segment, Whatnauts

Now, the opening chords to Prince’s “Mountains”:

01 Girls Opening segment, Prince

Let me make this even more plain. Whatnauts:

01 Girls Opening chords, Whatnauts

Prince:

01 Girls Opening chords, Prince

And, for my coup de grace, the two segments, “stacked” on top of each other:

01 Girls Opening chords, Stacked

What I find remarkable about this coincidence is that both sets of chords are played, a.) in the same key; b.) at the same tempo; c.) with the same general timbre/voicing; and d.) as an introduction to their respective songs. Now, to be clear (lest Prince’s lawyers be listening in): I don’t really think Prince “stole” his intro to “Mountains” from “Girls.” But I do get a warm fuzzy glow thinking of the possibility that he knew about, and liked, that obscure track enough to pay it tribute at the height of his fame. It’s probably just a coincidence, but my job here is to titillate and tantalize as well as enlighten.

I look forward to your reponses.

HVB

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Jun 192013
 
Fight the Beatles traditionalist power

Fight the Beatles traditionalist power

Hey, just enough time to post and split— but I did want to showcase two strong Beatles covers, and let you guys duke it out on the topic of which is better, or whether they both represent the triumph of Beelzebub over good taste. Anyhow, here they are. First, “Blackbird,” by Billy Preston:

01 Blackbird

And second, a dreamy interpretation of “Julia” by Ramsey Lewis.

01 Julia

I look forward to your responses.

HVB

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Jun 162013
 


Greetings, fellow seekers of the rare, the unusual, and the putatively worthless. On this Father’s Day, I come before you in humble tribute to the father of RTH, our very own Mr. Moderator, whose singular accomplishment in the field of Rock community I shall celebrate through a choice slab of dusty vinyl.

Specifically, today I share a track that will hopefully nurse him through his legendary fear of dancing in public spaces. The Flares recorded a song for just this problem in 1961 entitled “Foot Stompin’, Part 1.” Though it climbed to number 25 in the charts that year, I heard it for the first time when combing through a haul of 45s I found at a local flea market. It’s infectious, foot stompin’ good fun, and it makes dancing easy!

So here’s to you, Moddie — long may you stomp.

https://www.rocktownhall.com/blogs/wp-content/uploads/2013/06/01-Foot-Stomping-Part-1.mp3

HVB

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Jun 122013
 

Aint_No_Big_Thing

Greetings, fellow seekers of the rare, the unusual, and the mostly worthless! I come before you today bearing a new musical gift, scavenged from a thrift store, flea market, garage sale, or garbage can in or around our nation’s capitol. Today and henceforth, my goal will be simple: to brighten your day with a worthy slab of dusty, scratchy vinyl — hopefully one you haven’t heard before. I’ll try to do this every few days, one song at a time, so I can keep this up as long as my dusty stack of vinyl will let me.

Before we begin, a few words about why I do this.

We’re all familiar with the way people discover “new” music these days: the internet (shudder). The internet promises so much. It coils around our brains, whispering sweet nothings into our ears like “people who bought (X) also bought (Y),” and “you might also like (Z),” in an attempt to part us from our money as efficiently as possible.

Unfortunately, pursuing these recommendations usually leads us into sub-sub-genre ghettos where qualities diminish with every off-ramp we take. Furthermore… well, how can the internet possibly suggest a voice because it soothes me, or a guitar solo because it makes my spine tingle, or the vigorous shaking of a pair of maracas because they make a final outchorus jump to life? No, I have decided that the internet is a trap, my friends, and I shun it.

Instead, when I want more music, I don my burlap robe, cinched at the waist with a frayed length of rope, and — shepherd’s crook in hand — I strike out to find music where it’s been abandoned, discarded, and cast aside as garbage. Humble places are where I find my richest treasures.

I select my music because the song title appeals to me, or because the record label looks cool, or because the band is named after an obscure body part. The rewards are deep and lasting. I fall in love with songs because they amuse me, delight me, or astonish me, or force me to listen to things in a new way — not because they sound as much as possible like the last album I bought, which I bought because it sounded like the 10 albums that preceded it. I am not lying when I say that my musical life has become much more enjoyable since I’ve mostly stopped buying “new” music in digital format. I invite you to join me in my travels.

Today’s offering is “Ain’t No Big Thing,” by the Radiants. I chose this chune in special tribute to Mr. Moderator, who got browbeat a few days back for asking some tough questions. I just want to remind him that all that is said and done in the Hall is offered in good fun and done with the best of intentions. Like the song says, it ain’t no big thing.

I love the lyric in this song. I can’t remember the last time I heard a song that made a point of telling me not to worry, or tried to convince me not to get upset about something. Why aren’t we tired of music that exists just to get us het up and bothered?

Anyhow, this one’s for you, Moddie. We love you just the way you are.

I look forward to your responses.

HVB

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May 302013
 

Click to enlarge

Click to enlarge


Is it just me geezing, or is this month-long calendar for DC’s main summer festival-style outdoor theater about as good as such a thing could ever get?

Follow-up question: You have $100 in hard-earned 1973 dollars. Each of these shows costs $8.00. You’re saving up for a used ’65 Impala. Beers are 75 cents, and a baggie of dirtweed is $15 in the parking lot. Which shows do you see, and how do you entertain yourself?

I look forward to your responses.

HVB

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May 152013
 

Hey, I gotta hit and run here, people — seriously, my time is not my own these days. But I do have a question: should I try to like Genesis more?

That’s not a snarky question. Sgt Peppermint Petty suggested I might be able to appreciate Genesis — more than I like Yes, for example. We got to rappin’ about Yes versus Genesis, and things got deep. I heard about penetrating vocals, ringing bass tones, jazz chops and, yes, polished golden orbs. It all sounded kinda mystical to me. I think the Sarge had been hitting the ol’ skull bong in the men’s room or something.

Anyway, he’s a good egg, and I know he meant well. Who knows, he might be right. I might be able to grant Genesis a prog hall pass. When I was 14, I used to like Emerson, Lake & Palmer — and I used to dig my old man’s copy of Lark’s Tongues In Aspic.

So my question is two fold: to those of you who know me — am I capable of liking Genesis? And to the rest of you, and all those who think I might grow to like them, I ask sincerely: where should I start trying? Oh, and one more question: does the fact that I really like this Genesis song set me up for Genesis disappointment?

I look forward to your responses.

HVB

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May 132013
 


Greetings, fellow Townspeople! I come before you with the latest edition of yet another long-running feature here in the Hall, entitled “Hidden Meanings.” Long-timers will know what is expected of them here: we are required, as enquiring rock nerds, to try and parse out what authors of noteworthy lyrics really mean by the words they write. So, jointly, we set our minds towards the collective (re)interpretation of words that may have passed the critical community’s gaze without the careful scrutiny which they may have deserved.

In this case, the words we need to parse for hidden, double meanings are offered by Dennis DeYoung, of Styx. The song is “Come Sail Away.” My question for the collective is as follows: one might think that this song is about sailing away — or, if you’re able to stick around for the shock twist ending, about space aliens. But what does a more serious study reveal? What does DeYoung really mean by the following:

I’m sailing away
Set an open course for the Virgin Sea
‘Cause I’ve got to be free
Free to face the life that’s ahead of me

On board, I’m the captain
So climb aboard
We’ll search for tomorrow on every shore
And I’ll try, oh Lord, I’ll try to carry on

I look to the sea
Reflections in the waves spark my memory
Some happy, some sad
I think of childhood friends and the dreams we had

We lived happily forever
So the story goes
But somehow we missed out on the pot of gold
But we’ll try best that we can to carry on

A gathering of Angels appeared above my head
They sang to me this song of hope and this is what they said

They said, “Come sail away, come sail away, come sail away with me lads
Come sail away, come sail away, come sail away with me
Come sail away, come sail away, come sail away with me baby
Come sail away, come sail away, come sail away with me”

I thought that they were Angels, but to my surprise
We climbed aboard their starship, we headed for the skies

Singing, come sail away, come sail away, come sail away with me lads.

I look forward to your responses.

HVB

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