Curious what the Hall feels about this little number—made exclusively to promote Sour Patch Kids. I, for one, think it’s brilliant. Someone posted that “selling out” is when you compromise your vision and skills for the paycheck. But I would argue that Method Man does no such thing here. Perfect in my ad-brain eyes for so many reasons. But also just for making a pretty awesome song that could live on any rap album.
For someone who was sooo in love with everything Elvis Costello & The Attractions, it’s amazing I never picked up the solo effort (can it be “solo” with three guys?) by the greatest backup band in the world. A high school buddy of mine had it and we derided it—probably without really listening to it with an open mind.
So, besides The Band, is there a backup outfit that has had any success on their own. Would you buy The Rumour without Graham Parker? The News without Huey? The Heartbreakers without Tom Petty?
And should I give The Attractions’ “solo” album another chance?
Not to be a hater here…but I can’t think of any band breaking up I could care less about. I mean, have they even been relevant for the last few decades?
So to frame it as a discussion: Are there other bands who shoulda called it quits a lot earlier than they did? Or still should? I’ll start: The Stones. Break up already. Please.
chick music is actually guy music that women in the room would find appealing
I’m sure this must have been an earlier discussion I missed [I don’t think there was – Ed.], but with Mr. Mod talking about “chick music” it got me thinking. Again, I’m sure there’s an RTH link to a definition [Believe it or not, there isn’t, but this post may get us there! – Ed.], but to me, chick music is actually guy music that women in the room would find appealing. It’s a way to damn a band as well. For instance, I think The Cult is chick music as a way of denigrating them.
It could be argued that bands that started out as as guy bands became chick bands as the band found where its bread was buttered—thinking The Cure, here.
So here’s a poke at a band that I would imagine is much regarded in these Halls, but that I find the MOST CHICK BAND EVER.
As a new wave kid in the ’80s, I probably wore holes in the first three Echo & the Bunnymen albums, drove up to NYC to see them, etc. I recently downloaded the first two albums off iTunes—and I gotta say they still hold up.
I always thought they were the heaviest of the “romantic” bands. Way heavier and more angular than The Cure, U2, etc. That drummer’s military fills are the serious backbone of why I loved these guys. And they had a lot of songs about taking LSD, which at the time made them seem mysteriously cool.
The Burt Bacharach sweater in the video not withstanding, they did know how to rock under those haircuts.