machinery

machinery

Mar 152011
 

One of the biggest disappointments in my CD-buying life was listening to Wild Wood by Paul Weller. I mean, I was a HUGE Jam fan as a lad. So much so, that I didn’t dare follow him into the Style Council days (like another member who will go unnamed, HVB) so as not to sully my memories of his mod/pop brilliance. So imagine my excitement when I read a few years back all the incredible raves about his third life as a true solo artist. I mean, man the reviews were incredible! Like finally, wow, the guy came to his senses and started to settle down into some mature songwriting.

Mature my ass. Boooorrring, is more like it.

Am I alone here?

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Vocal Mugging

 Posted by
Mar 102011
 

I’ve always had a hard time getting into Billy Bragg. It’s because of his very heavy accented singing. It almost sounds like he’s mugging to the audience (even in the booth) with every line.

I don’t seem to mind other artists who do this—Andy Partridge has a bit of this wink-to-the-audience tone to his voice—but Mr. Bragg is too much for me.

Anyone with me?

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iPod Dive

 Posted by
Jan 052011
 

So work has had me on the train quite a bit and that means going through my iPod more than usual. Two interesting thoughts/observations:

  1. I’ve been listening to the old Canadian, all-girl group Plumtree. They wrote the song “Scott Pilgrim” that spawned the graphic novel, movie, etc… They play pretty good, guitar driven pop-rock, which I dig. Here’s my dilemma: If they were GUYS making the same music, I’d probably hate it and think it was kinda weak. But being that it’s gals, I more than give it a pass, I kinda give them points for rocking. Is this sexism? (Reverse sexism???) Anyone else feel this way regarding “chick” bands?
  2. I’ve listened to the White StripesIcky Thump and have some thoughts on them. I was given their first album by a coworker back in the day and dismissed them as being a gimmick. (What? No bass???) And I’m generally suspect of musicians-as-celebrities-actors-daters-of-actresses like Jack White. But…over the years I have to say, every time I’ve heard a new White Stripes song on the radio—or of his offshoot bands—I’ve always admired that the guy consistently puts out Rock music with a capital R. I mean the guy is the only mainstream act to put out heavy, chunky, thuddy rock. And I shake my head and say, “Man, I gotta hand it to that dude, he’s heavy.” So…this Icky Thump album is pretty darn good in a odd country/blues/rock meld that works. And, the drummer who gets a horrible rap…is pretty f’n good. Or at least she works perfectly for this style—behind the beat rock, which I also dig. Am I alone with my respect for Jack White?

Sorry for the long post 🙂

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Ra-moaning

 Posted by
Dec 122010
 

So, I’ve never been the hugest Ramones fan. I found their brand of 3-chord rock to be kind of timid. Well, I picked up their greatest hits CD at a flea market Saturday, thinking “OK, now I’ll have a chance to hear their best, hand-picked by folks who know much better than me.”

Well, I’m hear to report that after the first 3 songs that covered most of their biggies, ie, “Blitzkrieg Bop,” “Judy’s a Punk,” “Beat on the Brat,” the CD–with another 20 songs and bonus–simply sounded like it was on skip. EVERY song was EXACTLY the same–wow, they go G to A to E. Then G to E to A. Or, wow, the more adventurous E to A to F. All played with the SAME lackluster drum sound, the same doo-woopy vocal hooks, and the same guitar wash. It really started to give me a headache. I was almost embarrassed for them.

I know people say that the Ramones are the god fathers of punk–and that the Pistols would be nothing without them–but damnit, the Pistols, the Undertones and every Minor Threat wannabe band has done more with the formula than these so-called pioneers.

So, are they the most overrated band in the history of music? Can’t believe they played at the same time as Television, Richard Hell, etc… and never picked up on the spikey, loudness of it all.

Anyone want a free Best of Ramones CD?

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Nov 152010
 

So, I’m sitting at work listening to Tokyo Police Club, who I kinda dig. The reason being, they play super energetic, fun, angular pop-punk, which is kinda my sweet spot. But it brings up a concern I have (or rather a realization) that, after bands get to a certain age, I kinda turn off to them.

This is due to a number of reasons: I think once bands get to a certain age, they understandably mellow and get a larger world view, which, while I respect, I don’t necessarily want from my rock and roll. Is it that all these young bands churning out three-chord rock and singing about love in a naive way really rock in way that older bands … can’t??? Then, as these same bands age, they just don’t come to the plate with that kind of energy. I probably wouldn’t want to have dinner with these young-uns but I respect their youthful musical zeal.

Am I becoming a rock Roman Polanski? Anyone else feel the same way?

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