Aug 272009
 

It’s that time again, time to gauge your gut responses to some age-old questions. Are you ready for a little Dugout Chatter? Veterans, show the newcomers how it’s done!

  • What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?
  • What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?
  • Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?
  • Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?
  • What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?
  • Name a band you enjoy reading about much more than hearing any of their music.

I look forward to your responses.

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  24 Responses to “Dugout Chatter”

  1. * What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?
    I guess that’s why they call it the blues/sad songs

    * What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?
    Exile
    * Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?
    Pissed Jeans
    * Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?
    because your taste is growing suckier
    * What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?
    equal
    * Name a band you enjoy reading about much more than hearing any of their music.
    The Dead/Zappa-I’ve read books on both of them, and really enjoyed them. I could never listen to that music though.

  2. diskojoe

    Last Elton John single I cared about: Blue Eyes

    I prefer 2nd rate Brian Jones era Jagger

    Neither on the Who question

    Pass on Bright Eyes question

    It’s more hopeless to hope for a Kinks reunion. Ray’s solo albums are both pretty solid (lots better than Phobia) & I think that Dave’s feelings toward Mick Avory would preclude any reunion.

    As for the last question, I would say XTC

  3. Mr. Moderator

    Kilroy, your Bright Eyes/Oberst answer has taken an early lead so far. Nice!

  4. Elton John single – The Bitch Is Back
    2nd-rate Jagger – Exile. Aren’t they all Exile era?

    The Who v. Roger Daltrey – Tough one but probably the Who because I’ve never seen Pete before.

    Bright Eyes v. Conor Oberst – You’ve gone soft over the past few years.

    Name a band you enjoy reading about much more than hearing any of their music.
    Motley Crue, GG Allen, John Phillips, David Crosby, the Doors

  5. Mr. Moderator

    cdm, I was thinking primarily of all the 2nd-rate Jaggers who developed in the wake of Brian Jones-era Jagger himself: the singers of 98% of ’60s garage bands, such as the guy from The Chocolate Watchband. Then you’ve got all the 2nd-rate early-period Jaggers of 2nd- and 3rd-generation neo-garage bands, so there are probably an equal amount of 2nd-rate Jaggers to compare.

  6. I see. This makes it tougher than I initially thought. I’ll stick with Exile but not by the margin that I originally contemplated.

  7. buddy whelan

    What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?

    never enjoyed ANY elton music when it came out. i hated it then. now the early singles to me are priceless.

    What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?

    equal. jagger was always 2nd rate. but in a great sort of way.

    Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?

    i would stay home either way. never did get the who, (except for i can see for miles).

    Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?

    i really did not like that whole “Garden State” scene and still don’t. it makes me understand how e pluribus feels sometimes. have not heard Oberst; he is on my illegal download list since i read a book this summer by the “Sound Opinions” guy Greg Kot. anyone with suggestions? i was looking for the early tapes Kot described.

    What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?

    slightly skewed toward the kinks reunion. but the hope of getting a new kinks record that compares to the great kinks records is infinitely more hopeless than the hope of getting a new davies album that compares to one of his best albums (whatever they may be). even i had to read that last sentence twice.

    Name a band you enjoy reading about much more than hearing any of their music.

    i don’t think i have seriously read anything about someone i wasn’t interested in at some level. but if i can use a % of albums liked over % of albums recorded, i will say bob dylan.

    mr moderator: how do you think this shit up? kudos

  8. hrrundivbakshi

    What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?

    “Philadelphia Freedom,” or maybe “Don’t Go Breakin’ My Heart”

    What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?

    Jones-era. There are WAY too many Exile-era apes out there.

    Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?

    Who

    Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?

    Huh?

    What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?

    Hey, DUDE. The last Davies solo LP was pretty darn good.

    Name a band you enjoy reading about much more than hearing any of their music.

    The Shaggs

  9. mockcarr

    * What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?

    Crocodile Rock. It’s not a good song, but it makes me think of the old Muppet Show which was good.

    * What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?

    60’s era. Big suprise. Maracas are necessary.

    * Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?

    The Who. But it’s only a question of rather not desire.

    * Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?

    Because Conor isn’t doing lists on Facebook?

    * What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?

    The last Ray album is good.

    * Name a band you enjoy reading about much more than hearing any of their music.

    My gut can’t think of any examples of this. I don’t know why I would enjoy it unless it was shameful schadenfreude like Billy Joel’s latest felony or something, or Axl Rose’s tattoos forming a band without him.

  10. Mr. Moderator

    Hey HrrunDUDE, “pretty darn good” does not equal “great.” Maybe I didn’t give that Davies album a fair enough shake, but I felt it lacked either of the two things an old legend’s “great” old-age album requires: 1) an original sound that redefines the artist’s work for the present (eg, recent Nick Lowe, that Dylan album from about 8 years ago that made him a bit relevant again) or 2) a truly kick-ass single that truly connects with people (eg, well..they weren’t THAT old at the time, but Lennon’s Double Fantasy hits and John Fogarty’s Centerfield hits are the best examples that presently come to mind – how about the Travelin’ Wilburys’ hits for a slightly better example?).

  11. Whatever.

    2000 man, I’m currently reading “Under Their Thumb” by Bill German, a mega Stones fan who found employment with the band via his fanzine “Beggars Banquet”. It’s fairly interesting. Ever heard of him? If so, what’s your take?

    You ever meet any of the Stones? They come off as a pack of total assholes in German’s book. Especially Jagger, although that should be no surprise to anyone.

    Can’t speak for all, but just about everyone of my experiences meeting the stars has sucked. The only exception I can think of, when a star really shined, was when I met Kurt Vonnegut, after a talk he gave at a small college. He was everything I hoped he would be.

    Hope to hear from ya soon,
    E. Pluribus

  12. Mr. Moderator

    E. Pluribus, I can’t believe we’ve never discussed this: beside Vonnegut and Mary Stuart Masterson, what stars have you met?

  13. I haven’t met Mary Stuart Masterson, although I’d welcome the opportunity in a minute. It would piss my little brother off to no end. He always had the hots for her because she was a dead ringer for his high school girl friend. I’m actually a fan of her work, especially the picture she made with Kevin Dillon and James Woods. One can’t go much lower than that.

    Come to think of it, there was another star that shined as brightly as Vonnegut. I once met Larry Linville, the guy who played “Frank” on MASH. Good guy!

    E. Pluribus

  14. Mr. Moderator

    While we’re talking the likes of Masterson, K. Dillon, and Jim Woods, what’s your take on the movie Wall Street? We watched it last night for the first time in probably 15 years. It seemed to us a rare movie that is not quite great yet also not quite great-bad. (An even rarer example of a film that is BOTH great and great-bad would be our longtime favorte, No Way Out.) My wife said the film needed more Gecko and less Bud. There’s a brief scene including both Darryl Hannah and Sean Young on screen at the same time. Man, you could replace both of them with chimps and not lose a beat in terms of acting ability. For that matter, the chimp replacing Hannah may be an upgrade in both the acting and looks departments. You did have the good sense, my friend, to stay off the once-popular Darryl Hannah train, right?

  15. BigSteve

    * What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?

    I still really like Don’t Let the Sun Go Down on Me. Was Empty Garden a single? I like that one a lot too.

    * What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?

    I prefer more of a Dirty Work era Jagger, like Rob Thomas.

    * Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?

    Scylla and Charybdis.

    * Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?

    For better or worse, I have completely ignored that whole scene.

    * What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?

    The reunion is definitely more hopeless. I agree with the others that Ray’s recent solo albums have been very good. Great is probably not an option, as much because of the audience as the artist.

    * Name a band you enjoy reading about much more than hearing any of their music.

    Led Zeppelin.

  16. buddy whelan

    eee pee bus
    i read that book – we can discuss on saturday

  17. Whelan,

    You too read that book? We will indeed have something to talk about on Saturday!

    And by the way, I got together with our buddy Wayne again, and he brought by a scrapbook with a lot more goodies -lotsa shots with you and your urban punk drums.

    Your friend for life,
    E. Pluribus

  18. BigSteve

    I have an alternate ‘rather read about them’ answer.

    I recently read White Bicycles, the excellent book by producer Joe Boyd. If you’ve read it you might remember that he spends a lot of time on the Incredible String Band. Afterwards I went and got the two albums Boyd holds in the highest regard, and they weren’t horrible, but I didn’t really get it.

    I recommend the book though.

  19. Mr. Moderator

    What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?

    The same song that, as a kid, was clearly the end of the line for me, “Island Girl.” What a horrible song, but charming in its essence of John.

    What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?

    2nd-rate Exile Jagger is more likely to appeal to me because the bar is much lower

    Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?

    Daltrey covering The Who catalog in a small club; his voice seems to be the one thing left from what made that band matter. I get no thrill out of seeing Pete Townshend bash away on an Ovation acoustic guitar behind a plexiglass wall.

    Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?

    What I’ve heard more recently seems to rock a bit more – that and the fact that he now uses his real name to promote his music instead of that pstupid pseudonym/band name.

    What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?

    A great solo Ray Davies album

    Name a band you enjoy reading about much more than hearing any of their music.

    The Eagles

  20. * What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?

    I really like “This Train Doesn’t Stop Here no More from 2001?

    * What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?

    I prefer the guy from The Black Crowes to the guy from The Strokes…does that help?

    * Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?

    The Who is the exception to this rule. Normally I prefer the young and enthusiastic backing band. For this one since Pete wrote the songs, I would need to see him there too, even if that means double the ticket price and a larger venue.

    * Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?

    He is still on my eMusic list to download..guess I should?

    * What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?

    I thought the Ray Davies solo records were decent, and as good as I could hope for from a Kinks record in 2009. Unlike The Who, I would rather see Ray on his own than another Kinks Reunion

    * Name a band you enjoy reading about much more than hearing any of their music.

    Pink Floyd (fascinating band, but I only like about 1/3 of the actual records)
    The Grateful Dead (better “story” than band)
    The Eagles (Felder’s book was good)
    Gram Parsons

  21. Mr. Moderator

    Jungleland2, yes, your Black Crowes/Strokes distinction helped. Thanks!

    I listened to the 3 songs I recently downloaded from the new Conor Oberst album this morning to make sure my tastes had grown as bad as shawnkilroy suspected, and indeed they had! The songs, “Air Mattress,” “Slowly (oh so slowly),” and “Big Black Nothing,” have some jump to them. The songs remind me of the songs I like best from the one Wilco album I like a lot, Summerteeth, and although this will make some of you uncomfortable, the songs are aided by being performed by a singer who’s not hideous looking and seemingly filled with self loathing. It always bugs me how unattractive I find Jeff Tweedy – and I think it bugs him too and weighs on his music.

  22. *The one about Princess Di. It confirmed for me the joyous fact that the shrew was dead.
    *I don’t understand the question. I prefer In The Year 2525 by Zager and Evans.
    *I prefer to see a third-rate Jagger perform Who songs backed by the Hollies.
    *I prefer Pete Townshend to bash Conor Oberst over the head with a Les Paul.
    *I prefer a good Dave Davies album.
    *Bright Eyes, as long as I’m reading the obituaries.

  23. 2000 Man

    What’s the last (ie, most recent) Elton John single that gives you any small degree of joy these days?

    Man, I’m gonna go way back to Someone Saved My Life Tonight, I think. I really lost track of him after that album.

    What 2nd-rate Jagger is most likely to rank higher for you, a 2nd-rate Brian Jones-era Jagger or a 2nd-rate Exile on Main Street-era Jagger?

    Exile fo’ sho.

    Given the choice right now, would you rather see The Who in their present configuration in an arena or Roger Daltrey solo backed by a young, enthusiastic band and covering Who songs in a large club of about 1000 capacity?

    I guess the small club. I’m not going to any more big shows, I don’t think.

    Why didn’t I like Bright Eyes when I first heard “them” a couple of years ago and now, whenever I hear a new Conor Oberst song I think it’s pretty good?

    I dunno. I thought Bright Eyes was awful and I only heard one of Oberst’s solo songs and thought it sucked, too. So I’ve ignored him ever since.

    What’s more hopeless, the hope for a Kinks reunion or the hope for a great solo Ray Davies album?

    That’s a tossup. I’m gonna just be happy with my Kinks ep collection cd, I think.

    Name a band you enjoy reading about much more than hearing any of their music.

    Led Zeppelin. Hate the music, but they had the best of everything of the era around them, and I know all the songs cuz I grew up then. So reading about them helps me understand what was going on in the music scene back then, but from people I enjoyed that worked with them, while I was trying to ignore them.

  24. 2000 Man

    ePlurb, Bill German did the “official” Stones fanzine. I read sone of them, and they weren’t the helpful “find these studio outtakes on these obscure bootleg labels” kind of thing I liked at the time. It was a little more gossipy, and much as I find Patti Hansen attractive, I couldn’t care less that she’s marrried to Keith and they go on vacations together. Finding the tapes from Keith playing around while they were on their honeymoon was more my speed.

    I’ve never met The Stones, and I’ve never tried. It’s not that hard, I know people that have invited me to some events and parties, but I bet they’re nowhere near as fun to meet as guys from Lucero or the Dexateens. I’ve heard they can be gracious to fans, but I’ve also heard of them burning through an entire stash of a friend that really couldn’t afford it and had hoped to sell some of it to pay for his trip to Canada.

    I didn’t know German kind of bit them in the ass in his book. It might be an interesting book from that standpoint. I usually read the books full of studio logs and show tracklistings, etc. I’m kinda nerdy like that I suppose.

Jul 022007
 

The new essentials!

I’m blanking on answering what is probably an easy question to answer: Name an artist beside Springsteen who started as a “new” version of an established artist (eg, The New Dylan) who later developed into a major and influential artist in his or her own right.

Which Velvet Underground & Nico deep track would you be more likely to skip, “Black Angel Death Song” or “European Son”?

Honestly, what are you more likely to listen to when it comes on the radio, a Phil Collins-era Genesis song or a Peter Gabriel-era Genesis song other than “The Lamb Lies Down on Broadway” (ie, assuming other PG-era Genesis songs ever get played on the radio)?

When you think “struck harmonics on the guitar,” what are the first TWO songs that come to mind?

What’s so good about David Bowie’s “Heroes”? In other words, what “makes” the song for you, assuming the song is one you like. (I like it myself, by the way, so don’t think I’m setting you up for some rock crisis of faith, as I may have done with one of these other questions).

What rock band made the most unlikely use of piano?

What makes one “wasted” artist cool and another one pathetic? When does the cool wasted artist cross the line and become a pathetic wasted artist? Is it all about the music? The Look? Something else?

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  17 Responses to “Dugout Chatter”

  1. I’m blanking on answering what is probably an easy question to answer: Name an artist beside Springsteen who started as a “new” version of an established artist (eg, The New Dylan) who later developed into a major and influential artist in his or her own right.

    When Elvis Costello came out, he was often compared to Van Morrison, Dylan and yes, Springsteen, so would he qualify or should it be an artist who got tagged as the new so and so (i.e. only one other artist)?

    Which Velvet Underground & Nico deep track would you be more likely to skip, “Black Angel Death Song” or “European Son”?

    At this point in my life, neither, but for years “European Son” was my least favorite song on the album. Now I have much more of a tolerance for drony feedback, so I love the ending of it and thus keep it on!

    Honestly, what are you more likely to listen to when it comes on the radio, a Phil Collins-era Genesis song or a Peter Gabriel-era Genesis song other than “The Lamb Lies Down on Broadway” (ie, assuming other PG-era Genesis songs ever get played on the radio)?

    I’ve never heard any other Peter Gabriel-era Genesis song on any radio station, but to be honest I’d have to say the Phil Collins-era. I probably wouldn’t go out and buy one of their records, but there were some nice singles in the early to mid ’80s (and some awful ones, too). I also like the album Duke, which contained “Misunderstanding”, one of those aforementioned nice singles/hits.

    When you think “struck harmonics on the guitar,” what are the first TWO songs that come to mind?

    Gearhead alert!

    What’s so good about David Bowie’s “Heroes”? In other words, what “makes” the song for you, assuming the song is one you like. (I like it myself, by the way, so don’t think I’m setting you up for some rock crisis of faith, as I may have done with one of these other questions).

    The line “I wish we could swim…like dolphins could swim” as well as the crack in his voice towards the end when he sings (or really screams) “we can beat them”.

    What rock band made the most unlikely use of piano?

    Ben Folds Five, because while the piano/bass/drums trio is common in jazz, it was used the same way a guitar would be used (as the lead melody instrument) with a “normal” guitar/bass/drums type of band. To a certain extent, this is also true with Steve Nieve of The Attractions. It’s a good thing, too, since he’s a way better piano player than Elvis Costello is a guitar player.

    What makes one “wasted” artist cool and another one pathetic? When does the cool wasted artist cross the line and become a pathetic wasted artist? Is it all about the music? The Look? Something else?

    Actually it’s really neither, though the music is, as always, important. It’s whether or not you get the impression that the artist in question is milking the attention for all it’s worth (i.e. Ryan Adams) or whether someone’s genuinely messed-up and just can’t help it (i.e. Elliott Smith or Kurt Cobain, to give 2 examples). Great questions, BTW.

  2. I kind of like “European Son,” at least partly because knowing about the work and life of Delmore Schwarz makes this utterly cruel but half deserved attack song about a dying drunk more interesting. That’s back story, I know, so I wouldn’t expect anyone else necessarily to feel the same way.

    Like Matt, I’m not sure if Peter Gabriel era Genesis has ever been played on any radio station I’ve heard. Given the fact that it’s music I don’t really know, though, I’d be more likely to keep it on the radio if it did come. Still, I can tolerate a few of those Phil Collins hits, Genesis and after, as long as I’m not dying to listen to something that’s actually good.

    As to the wasted artist, yes, it’s the music, exactly the same as for any other artist. No cool points for the bad musician either straight or wasted, thanks very much.

  3. Mr. Moderator

    Matt, Costello was compared to many, but he was never a “next” anybody, so no, he does not count. I’m thinking of guys who come out of the gates as closely tied to a model as was Steve Forbert, who never became more than a respected cult artist. No one ever would aspire to be the “next Steve Forbert.”

  4. Mr. Moderator

    Also, by the way, no need to fear “gearhead” talk regarding harmonics. It’s a musical playing device, and there’s a link to a definition, if you’re not sure what I’m talking about. I’d provide an obvious example of the use of guitar harmonics in a rock song, but that would give away one of the two most obvious answers.

  5. Re: Velvet Underground

    I’d skip “Run, Run, Run” before the other two any day of the week!

    Yours,
    E. Pluribus

  6. hrrundivbakshi

    Genesis

    I dunno, man. I might stick with the PG number because I never hear that shit (in fact, I can honestly say I’m not sure I *ever* heard it). But there are a few PC-era Genesis tunes I actually quite like, cheese factor and all: “Abacab,” for one.

    “struck harmonics on the guitar”

    Easy — “Dazed and Confused” and “Barracuda.” If those two aren’t the two you’re thinking of, Moddie, you got a brain problem!

    “Heroes”?

    Do *not* like this song. Completely cheesey in my view. Power ballad for rock snobs. Useless.

    What rock band made the most unlikely use of piano?

    Dunno from unlikely — didn’t somebody pluck the strings of one for “Death Of a Clown”? Zappa and company recorded a chick talking from inside of one, but that concept sucked as much pretentious ass as Zappa “playing” a car with a length of chain on the Monkees (forget 1981, Plurbie; THAT was the day the music died.)

    Wasted does not equal “cool” in my book, ever. Which, to Mwall’s point, has nothing to do with the music.

    Permalink5 comments

  7. I’m blanking on answering what is probably an easy question to answer: Name an artist beside Springsteen who started as a “new” version of an established artist (eg, The New Dylan) who later developed into a major and influential artist in his or her own right.

    Tom Petty, vis a vis Roger McGuinn?

    Which Velvet Underground & Nico deep track would you be more likely to skip, “Black Angel Death Song” or “European Son”?

    “European Son” has been my least favorite VU song for so long I should probably try listening to the whole thing again.

    Honestly, what are you more likely to listen to when it comes on the radio, a Phil Collins-era Genesis song or a Peter Gabriel-era Genesis song other than “The Lamb Lies Down on Broadway” (ie, assuming other PG-era Genesis songs ever get played on the radio)?

    As I recall, “The Lamb Lies Down on Broadway” was the only Gabriel Genesis song to get heavy classic-rock airplay, although occasionally they’d thrown on “I Know What I Like in Your Wardrobe.” I’d go with the Gabriel songs. They’re genuinely weird, funnier than anything Yes ever coughed up, and not as played-out as any Collins-era stuff.

    When you think “struck harmonics on the guitar,” what are the first TWO songs that come to mind?

    PASS!

    What’s so good about David Bowie’s “Heroes”? In other words, what “makes” the song for you, assuming the song is one you like. (I like it myself, by the way, so don’t think I’m setting you up for some rock crisis of faith, as I may have done with one of these other questions)

    Hrrundi, how the fuck is this a power ballad, and so what if it is! What makes the song is that Bowie — a man who quite a vocal range in his day — knows when to make you feel the strain of his vocal. And a hundred other things about this song.

    What rock band made the most unlikely use of piano?

    I should know this. I guess Elton John was pretty unique when he first arrived on the scene.

    What makes one “wasted” artist cool and another one pathetic? When does the cool wasted artist cross the line and become a pathetic wasted artist? Is it all about the music? The Look? Something else?

    Something to do with celebrity, the public’s need for a supposedly unmanicured, “spontaneous” performer to counter the ultra-polished, talking-points-spouting stars. But then it goes too far and turns into a freak show. C.f., Shane McGowan, Pete Doherty. Not sure if Keith fits into this, however.

  8. Mr. Moderator

    Why is anyone afraid of the harmonics question? I don’t get it.

    Hrrundi, good choices re: harmonics. I would comment further, but I don’t want to spoil the purity of anyone’s responses.

    Re: “Heroes”
    For me it’s Fripp’s guitar that makes the song. I saw an edited version of the video the other day and without the instrumental passages and sense of anticipation they give to each proto-U2 leap in octaves and vocal histrionics, the song fits Hrrundi’s negative description as a power ballad for rock snobs. Brilliant! I do like the song, by the way, which allows me to answer this question. Hrrundi, I’m not sure we can accept your answer, although we can admire it.

  9. BigSteve

    A couple of comments:

    How about Connor Oberst as a recent new Dylan? Isn’t he influential?

    The two songs with guitar harmonics that come to mind for me are Cheap Trick’s Clock Strikes Ten and Jermaine Jackson’s Let’s Get Serious.

    A few things I like about Heroes. The contrast between the two ways of emoting with the voice — deep and dreamy and then an octave higher, almost screaming. The idea of love as a heroic act of individualism. The Fripp guitar flying overhead and the descending riff (Carlos Alomar?) below. The background vocals coming in towards the end of the song –“I remember” “by the wall” “over our heads.” The chunky rhythm section.

  10. Harmonics?

    ROUNDABOUT by Yes!

  11. Mr. Moderator

    Geo, I feel safe in admitting that that’s the guitar harmonics song I expected everyone over a certain age to answer!

  12. Name an artist beside Springsteen who started as a “new” version of an established artist

    Ryan Adams as the “new” Gram Parsons? Emmylou Harris even sang with him on “Oh My Sweet Carolina”…

    Which Velvet Underground & Nico deep track would you be more likely to skip, “Black Angel Death Song” or “European Son”?

    Most likely “European Son” because something about “Black Angel Death Song” just tugs on my heartstrings… it’s far more memorable to me – and maybe it’s the strings that pull on my heart…

    Phil Collins-era Genesis song or a Peter Gabriel-era Genesis song

    If ‘squonk’ was played on the radio then probably Phil…

    When you think “struck harmonics on the guitar,” what are the first TWO songs that come to mind?

    Ummm… all I can think of is For What It’s Worth by Buffalo Springfield? Fragile Girl by Waxwings maybe?

  13. Q1:Name an artist beside Springsteen who started as a “new” version of an established artist

    A: Donovan – “the english bob dylan”

    Q2:Which Velvet Underground & Nico deep track would you be more likely to skip, “Black Angel Death Song” or “European Son”?

    A: BADS – I like the bass part in “European Son” And besides, can one really “skip” the last song of an album?

    Q3:Honestly, what are you more likely to listen to when it comes on the radio, a Phil Collins-era Genesis song or a Peter Gabriel-era Genesis song other than “The Lamb Lies Down on Broadway” (ie, assuming other PG-era Genesis songs ever get played on the radio)?

    A: Phil Collins – I really like “Miss Again” but that may be solo PC

    Q4:When you think “struck harmonics on the guitar,” what are the first TWO songs that come to mind?

    A: “Nowhere Man” and “I Found That Essense Rare”

    Q5:What’s so good about David Bowie’s “Heroes”? In other words, what “makes” the song for you, assuming the song is one you like.

    A: I like the production and the vocals. I’m not the biggest Bowie fan but I like his understated vocals

  14. Mr. Moderator

    I asked:

    Name an artist beside Springsteen who started as a “new” version of an established artist (eg, The New Dylan) who later developed into a major and influential artist in his or her own right.

    I’m still scratching my head for the right answer. There have been some good suggestions so far, but none as good as the excepted Springsteen.

    Which Velvet Underground & Nico deep track would you be more likely to skip, “Black Angel Death Song” or “European Son”?

    “Black Angel Death Song”, although I’d skip “Venus in Furs” before that one. I like “European Son” a good deal. I think it gets a bad rap.

    Honestly, what are you more likely to listen to when it comes on the radio, a Phil Collins-era Genesis song or a Peter Gabriel-era Genesis song other than “The Lamb Lies Down on Broadway” (ie, assuming other PG-era Genesis songs ever get played on the radio)?

    Collins-era Genesis. I have trouble listening to most “classic” Genesis even for curiousity’s sake.

    When you think “struck harmonics on the guitar,” what are the first TWO songs that come to mind?

    “Roundabout” and “For What It’s Worth” were the first two I had in mind with “Barracuda” a close third. How I left “Dazed and Confused” out of that top 3 is a mystery to me.

    What’s so good about David Bowie’s “Heroes”? In other words, what “makes” the song for you, assuming the song is one you like. (I like it myself, by the way, so don’t think I’m setting you up for some rock crisis of faith, as I may have done with one of these other questions).

    There’s a good deal to like about this song, including Bowie’s vocals, the weird drum sound, and the backstory of the lyrics, but as I said yesterday, it’s the atmosphere that Fripp’s instrumental passages creates that makes the song special for me.

    What rock band made the most unlikely use of piano?

    Good question. I didn’t have an answer in mind when I asked it, but I was wondering if there was a Sabbath song or some other unexpected band that made use of a piano. I was also wondering if someone would suggest a rock song with an oddly recorded or prepared piano. Short of a great answer myself, I’m going to go with Led Zeppelin’s “Boogie with Stu”. Had they used piano on a recording before that one? The combo of Ian Stewart’s piano with the drum machine was a huge surprise the first time I heard that song by that band.

    What makes one “wasted” artist cool and another one pathetic? When does the cool wasted artist cross the line and become a pathetic wasted artist? Is it all about the music? The Look? Something else?

    In part, it might have to do with said artist’s ability to fulfill the wishes and fantasies of his or her audience. If the audience no longer needs that fantasy fulfilled, the glamour of the artist’s addiction fades.

  15. Re: Velvet Underground

    I’d skip “Run, Run, Run” before the other two any day of the week!

    Really plurby? For me what makes that song is the line “gonna take a walk to Union Square, you never know what you’ll find there” since it makes me think of the old, gritty New York and how sanitized Union Square (and most of the rest of Manhattan) is now in comparison.

  16. Harmonics! “Who Are You” came to mind first; I had a ridiculously hard time coming up with another (except by reading comments here) until now: “Tattooed Love Boys,” one of my favoritest guitar solos ever.

    Honorable Mention to Jaco Pasorius’s “Portrait of Tracy.” Holy crap, I once learned the first couple bars of that.

  17. saturnismine

    simon and garfunkel (as tom and jerry) were like “the new everly brothers”.

    i’ve never skipped tracks on the velvets first album. but i guess i occasionally lifted the needle for the one that goes “PSSSSSSHHHHHHHHHH!”

    peter gabriel era genesis NEVER gets played on the radio (which is fine by me)! but i’d definitely listen to it before i’d ever listen to Phil Collins era genesis!

    Upon reading the “struck harmonics” question, I first thought “Roundabout”, of course (then I thought about the Germs for a second). But the song that came to mind next one was the chorus of “It’s not Funny Anymore” by Hüsker Dü. Then I thought of the “your eyes make a circle” part of “I Will follow”. then I thought of the beginning of “Dazed and Confused.”

    I like heroes’ lyrics. i like the passion with which he sings them, too, and i like its “United we stand” quality. the production aint so bad either (although i could do without that midrangy reverb on bowie’s voice). I was in a club in London the week after the whole Tube bombing thing went down, and it meant alot for people to be on a sweaty dance floor, all pilled up, dancing to that song.

    i like hendrix’s / eddie kramer’s use of the piano on crosstown traffic, to double with the bassline.

    cool wasted artist: keeps it together, is still articulate, looks good, is at the height of his or her powers.

    pathetic wasted artist: knickers down around ankles, puking into bucket, performing poorly, sweaty, white trash onset.

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