Apr 242013
 

Ladies and gentlemen, it’s that time again: the RTH speed round known as Dugout Chatter. All we ask is that you provide gut answers to the following would-be burning questions. If you’re new to these parts, this is a great time to jump in and get your feet wet. If you’ve been around forever, your voice must be heard. Who knows, maybe one of our old friends like Happiness Stan or tonyola will resurface?

Have you ever been at a show and realized, as you let out a hoot, that you might be the only person in the audience who has identified the cover song the band on stage just launched into?

Have you ever yelled an insult at an artist from the audience? Be honest.

While we’re being honest, be honest: how often do you illegally download music these days, not downloading an occasional track from a blog, but scouring the Web for bit torrents, .rar files, and the like? Once a week? Once a month? A couple of times a year? For those of you whose answers you wish to keep anonymous, you may answer in the handy-dandy RTH poll.

How often do you illegally download music these days, not downloading an occasional track from a blog, but scouring the Web for bit torrents, .rar files, and the like?

View Results

Loading ... Loading ...

I love thinking about arrangements; a great arrangement can save a turd of a song, as I believe is the case with The Beatles’ “I Want You (She’s So Heavy).” Is it possible the band pulled on their goofy arrangement for the B-side “You Know My Name (Look Up the Number)” as a template for their Abbey Road song, or is that a common arrangement device, in which a theme is run through numerous permutations?

I often regret that no new band has satisfied my jonesin’ for an actual Talking Heads reunion and continued productive career. Everyone tells me I need to pick up some LCD Soundsystem, but I don’t know…I just don’t hear the songs and distinctive point of view whenever I try them. The only song that ever stands out to me is “North American Scum” (I think that’s the name), and why shouldn’t it? The music is an excellent rip-off of Pete Shelley’s “Homosapien.” Long question short: What void left by a long-gone artist do you most wish a new artist would step up and fill?

You probably know by now how much Philadelphia Pride I possess. I make all sorts of allowances for Philadelphia culture short of taking the time to watch that OSCAR-nominated movie from last year in which Bradley Cooper wears a Hefty bag and enters a dance contest, but I can’t get my head around the music of The Roots. They seem like great guys, etc, but I’ve yet to hear one song by them that I fully enjoy. Which killer Roots song have I not come across yet?

I look forward to your responses.

Share
Apr 232013
 

WilliamShakespeare

I know you’ve been saving your celebrating until now. I feel embarrassed that it slipped my mind until NPR reminded me: Today is Shakespeare’s birthday!

In honor of Avonian Willie and his prolixity, let us celebrate with a Last Man Standing that features lyrics penned by The Bard.

Yes, Cliffs Notes are allowed, but no, you can not include broadcasts of Shakespeare productions, or movies and their soundtracks. Subtle paraphrasing is also permitted.

I start you off with Rush, “Limelight.”

Share
Apr 232013
 

Let’s review the ground rules here. The Mystery Date song is not necessarily something I believe to be good. So feel free to rip it or praise it. Rather the song is something of interest due to the artist(s), influences, time period… Your job is to decipher as much as you can about the artist(s) without research. Who do you think it is? Or, Who do you think it sounds like? When do you think it was recorded? Etc…

If you know who it is, don’t spoil it for the rest. Anyone who knows it can play the “mockcarr option.” This option is for those of you who just can’t hold your tongue and must let everyone know just how in-the-know you are by calling it. So if you know who it is and want everyone else to know that you know, email The Back Office. If correct, The B.O. will let me know and I’ll post how brilliant you are in the Comments section.

As noted this is a Twofer and we are looking for both the composer/artist and the guest-artist/vocal-talent.

The real test of strength though is to guess as close as possible without knowing. Ready, steady, go!

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2013/04/Mystery-Date-042313.mp3|titles=Mystery Date 042312]
Share
Apr 232013
 

And then Richie, Richie said, “Hey man, let’s dress up like cops, see what we can do!”

Something, something said, “You better not.”

– Television, “Venus de Milo”

I’ve been thinking about these lines from Television’s “Venus de Milo” since details of the Boston Marathon Bombing and post-bombing reign of terror emerged. I believe the lines refer to an actual prank that old high school friends Richard Meyers and Tom Miller (later known by the surnames Hell and Verlaine, respectively) considered pulling. I’ve been thinking about these lines, because I can’t shake the feeling that the Tsarnaev borthers’ motivation for their recent acts of terror were partially fueled by similarly idiotic notions that usually are quelled by that voice saying, “You better not.”

VenusDMilo_2

Call me cynically naive—or naively cynical—but I’ve been a little bugged by the backflips the media, some politicians, and people around me are doing to tie the acts of domestic terrorism the Tsarnaev brothers committed into broader, organized efforts of FOREIGN TERRORISTS. I’m not saying all possible ties shouldn’t be investigated nor that the influence of international terrorist and other political/religious zealotry was absent from their acts, but as a Boston columnist named Kevin Cullen pointed out on an interview I heard on Philadelphia’s WHYY radio last week, these brothers pretty much grew up in America, as part of our culture.

“We ask,” he said at one point, “‘Why do they hate us?’ The ‘us’ is us.”

Continue reading »

Share
Apr 222013
 

Richie Havens died from a heart attack today at 72. Best known for opening Woodstock with his hyper-strumming, thumb fretting, and rich voice, he may have been Larry Doby to Jimi Hendrix’s Jackie Robinson of the Love Generation, boldly making Beatles songs his own and making his mark in the music business for primarily white, hippified audiences.

By what accounts I’ve seen—and hell, it’s just a sense you get from the guy, isn’t it—Havens was a great…man. He sprinkled his hippie cred over Bill Clinton’s 1993 inauguration. A man of peace, he was a friend to the Society of Friends, having exhibited his drawings and spoke to kids at my old school in 1994 (long after I’d graduated, I might add).

Havens’ style was so distinctive that it lent itself to parody. I can’t even tell if his music holds up half as well as what he represented or a quarter as well as his warm, generous spirit. Can his music hold a candle to the way he held his guitar, and is there any reason to doubt that’s enough?

Share

Lost Password?

 
twitter facebook youtube