Dec 112015
 

Townsperson cherguevarra is the chief instigator of “Mystery Date” posts on RTH, and I always enjoy playing, even if I can’t figure anything out. This is my first contribution to the category.

As it happens, my lousy car-iPod integration is simply set to play every song in alphabetical order by song title (which is kind of interesting, since it plays every recording of the same song back-to-back). Over a few months I am now into song titles starting with “S”, and a couple of days ago this song started playing. I couldn’t identify the song or artist, and when the song info popped up on the screen, I thought to myself, in Dana-Carvey-imitating-Johnny-Carson-voice, “I did not know that.”

I wonder if anyone else knows this one. If not, what clues do you hear that would narrow down the time, place, genre, sartorial leanings, or persons involved? Post your thoughts, and I’ll respond to such inquiries with vague hints and opaque references that may lead you closer to the solution.

Standard Mystery Date rules: If you know who it is, don’t spoil it for the rest. Anyone who knows it can play the “mockcarr option.” This option is for those of you who just can’t hold your tongue and must let everyone know just how in-the-know you are by calling it. So if you know who it is and want everyone else to know that you know, email Mr. Moderator at mrmoderator [at] rocktownhall [dot] com. If correct we will post how brilliant you are in the Comments section.

Audio File

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Dec 072015
 

For some time, I’ve been thinking about starting a thread about prosody and the relationship of words to music. Ironically, I’ve never been sure I had a substantial premise to spur a conversation and I’m not sure what I want to say.

Recently I was in a conversation about the Police song, “Every Breath You Take,” about how the song was misinterpreted as being romantic, when really the lyric is basically about stalking. I can see how giving the lyrics less than half of your attention might lead to misinterpretation—but this is heavily aided by the lyrical nature of the music itself. Perhaps Sting abetted misinterpretation by mismatching the sentiment of the lyric to the lilting music he wrote. As little credence I give to Puff Daddy’s rap appropriation of the song, perhaps his changing of the lyric to “I’ll be missing you” is actually a better match.

Contrast this against another misunderstood song, REM’s “The One I Love,” where the music really matches the anger of the lyric and the misinterpretation come from a narrow view of noting that the singer loves someone (and the listener’s projection of this onto themselves) and disregarding everything else. Here, I pin the guilt upon those listeners.

But for my favorite example of a prosody mismatch, here’s a special nugget, which I heard on a CD handed out at the Philly Music Conference, circa 1994. This song sounded dated to me back then, the product of some suburban local band still into Scandal and Pat Benatar. To me, the combination of this (trying-to-be) strident and tense music and the serious subject matter of the lyric, leads to a tragicomedy of a chorus, where the feeling of the music undermines the lyric. Bear with this song by Keiran Kacy for 1 minute:

Oops! So painful, on several fronts.

Then there are songs where the feel of the music leads to an obvious musical direction (or v/v). XTC’s “Here Comes President Kill Again” seems to fit this model. Here, I think the songwriter walks a high-wire of having to match the music to the lyric, otherwise, they run the risk of the type of comical mismatch in Keiran Kacy’s song.

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All-Star Jam

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Dec 072015
 

RTH has been a lonely place lately. My excuse has been spending 10 days in Italy. While wondering around Rome (my wife and I walked 36 miles in 4 days!) we stumbled upon a church. And, yes, I know that’s not hard to do in Rome. This was one I’ve never been to before and I can’t even remember the name. Pretty plain by Rome standards. I snapped this picture of a side altar:

all-star marshall

What a Marshall amp was doing on an altar in Rome I have no idea.

Do you? Any unlikely place you’ve stumbled on rock & roll lately?

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Nov 182015
 

Thanks to a heavy travel schedule, I’ve been doing some rock reading on flights over the last month and here are some capsule reviews of recent rock books. If you’ve read these or other newish rock books, I’d love to read your thoughts in the comments.

Chrissie HyndeReckless

Chrissie takes you on a tour of ’70s Ohio rock clubs and the early punk scene in London — and in case you don’t believe her stories, she’s sprinkled in some personal photos of Sex Pistols and the Clash to prove her point. She was at the Kent State protests, where four students were killed, she chronicles the rise and fall of the classic Pretenders lineup, and generally seems like a truthful narrator. She stops the story in the ’80s, which is fine with me, but some have criticized. Do you really care about reading about “Loose Screw” — I don’t. One small quibble could be that she can seem a bit above the fray relating what went down, but she’s entitled to retain a bit of mystery. I was a bit worried about this one because of some lukewarm press reviews, but this is a quick read and worth your time.

Elvis Costello Unfaithful Music & Disappearing Ink

This is one of those memoirs that doesn’t follow a straight-line narrative. Elvis jumps around from childhood, to various spots in his early and late career. There is a lot about his father, Ross McManus, and his Dad’s jobs as a singer in big bands and a small solo career. One of the big takeaways is Elvis’ deep interest of nearly all musical styles, especially country. Reading this book, you’ll want to have access to a good streaming service, because he name drops a lot of records throughout, and you can’t help but want to check out what he’s writing about. He also explains some of his lyrics and what he was trying to get across to in the songs. Elvis gets a little personal with his thoughts on wives, girlfriends, and other rockers but not too deep. This book’s tone is warm, forgiving, and about as far away from his initial, prickly persona, as you can get. Elvis himself seems amazed at that early “pinup” version of himself.

Warren Zanes Petty — The Biography

This is an authorized biography that had tremendous cooperation from a bunch of people around Petty and the Heartbreakers. Zanes is Dan Zanes’ little bro and you get a little bit of the pain he felt being a teenager in Del Fuegos, which opened for Petty in the ’80s and then blew apart. This is a pretty deep look into the band dynamics of the Heartbreakers, Mudcrutch, and some of the other people Petty has played with over the years. There’s also a lot of detail on how they made the first two records with Denny Cordell and then left to go with MCA and Jimmy Iovine, who is interviewed extensively. Stevie Nicks weighs in on everything from music, to Tom’s first marriage, to his well-hidden heroin addiction in the years leading up to the release of “Echo.” The star of the book, to me, is drummer Stan Lynch, who doesn’t mince words when talking about the conflicts within the Heartbreakers, which led to him getting fired. The book peters out somewhat at the end, and doesn’t give much background on more recent releases (such as personal fave “Highway Companion” in 2006). There’s also not much on the Wilburys and Zanes is forced to quote from Dylan’s Chronicles to get Bob’s thoughts on the grand tours they did together in the ’80s.

P.S.  Warren Zanes put out a great album in 2003 called “Memory Girls” — well worth checking out if you have not heard it.

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Nov 042015
 

paul
keith
aaaaneil

brian-may-with-animals_brianmay-com_

Please assign each band member the most appropriate activity based on what you assume their skill set to be:
1. Be your guest at a dinner party
2. Babysit/pet sit/house sit for a week
3. Help remodel the kitchen/assist with home repairs
4. Pick out a wardrobe that you will then wear exclusively for the next year

John, Paul, George, Ringo
Mick, Keith, Charlie, Brian/Bill
Crosby, Stills, Nash, Young
Mercury, May, Deacon, Taylor

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Oct 312015
 

Here’s another simple Last Man Standing just in time for Halloween. Name an album, song title, or lyric which contains the word “ghost”. “Spook”, “wraith”, or other synonyms for a spectral, incorporeal after-death entity will also be accepted, but “zombie”, “skeleton” or “alien” will not. Only one entry per submission, please, and decision of the judge is final. I’ll start off with the song listed on the featured picture – the Specials with “Ghost Town”. Have fun and don’t scare yourselves to death!

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