Aug 282007
 


Hey, what can we say about this one?

The Beatles, “All You Need Is Love” (German true stereo mix)

If you loved The Beatles anywhere near their time, there’s a good chance you’ve got a soft spot for this song. If you’re some post-punk dude, you probably think of this song when dismissing The Beatles as “overrated.” That’s cool.

In this final track from the German true stereo version of Magical Mystery Tour, you get the added depth in the string and horn arrangements. The bass is a little heavier. The song sounds a little less like a jingle and a little more like the latest Lennon manifesto. A fine line, I know.

So that’s it. I hope you’ve enjoyed our trip. Thanks for taking the ride.

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Aug 282007
 

The other day I was reading a review in Mojo of Ian Hunter’s latest album. The review was basically positive, but at the end the reviewer claimed that Hunter hadn’t quite made the record he was capable of, the kind of album that had revived the careers of other “middle-aged rockers.” I did a double-take and looked it up – Ian Hunter is 68 years old.

So have boomers redefined middle-age so that it lasts all the way to 70 now? Or are rockers not subject to the age classifications that the rest of us live with. I remember years ago sending my little brother a birthday card on his 30th birthday saying ‘welcome to middle age,’ and he scoffed at the idea that middle age began at 30. I guess I thought it was 30 until 50. Now that I’m over 50, I definitely do not feel middle aged anymore, but I always felt like an old man even when I was younger. (One of my mother’s nicknames for me was Grandpa.)

I understand that rock & roll is historically a youth-based culture, but can’t we get beyond that now that the boomers are all grown up? I’m embarrassed every time I see an aging rocker with dyed hair. There’s this huge demographic bubble of us out here. Shouldn’t we want music that reflects our experience? Nick Lowe looks and sings like a man who is the age he is, but other musicians in his age range seem to prefer taking nostalgia to the bank, even if it means a trip to the colorist every week.

Are there any signs that Generation X and its successors will do any better at this aging thing?

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Aug 272007
 

Before he departed for his summer place in the Hamptons, rock impresario and noted tastemaster/messiah Clive Davis left behind a memo for you to finish. It’s the usual — you know, his “fill in the blanks” number. Normally, as you know, Clive just pulls one of these out of his desk drawer and fills in the missing words — and that’s all we need to really kick-start a washed-up rocker’s career. This time, though, Clive just didn’t have the time. Can you help?

MEMORANDUM

TO: Bob Dylan

FROM: Clive Davis

RE: Your Career/”Relevance”

Bob, per our last discussion about your desire to become “really relevant” again — I think we can help. As you know, J Records has a line on some of the youngest, hippest talent out there, and I think a liberal sprinkling throughout your next record might help. Specifically, I recommend:

1. Getting __________________ to handle production duties. I really think his chart-proven approach to ________________ will help open the public’s ears to what you have to say.

2. Try something new in terms of your “look.” For one thing, ditch the _________________! The kids just aren’t buying that shit anymore — instead, I want you to _____________________.

3. These days, relevance happens as a result of novel in-studio partnerships — you know, like Santana and what’s-his-name a few years back. Talk about relevance — that number was in every fucking elevator in Manhattan for MONTHS. Here are two partners I’m suggesting for you on this new LP, and the reason why I think they’d really kill for you, sales-wise:

a.) ______________________
b.) ______________________

4. One last thing: you need to face facts — your “message” is falling on deaf ears out there. What today’s record buyers want is ________________ — and lots of it. So our first order of business will be to __________________ — no ifs, ands or buts.

I think that covers it — we can talk pre- and post-launch PR later. (Heads-up, though: I got two words for you, and one of them is “Idol.”) Let me know your thoughts, and… go open a new bank account to put all that glorious new money in!

Love ya,

CJD

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Aug 272007
 

We’re heading into the final turn! I hope you who have been able to follow along with this reconsideration of Magical Mystery Tour – with the aid of the 1971 German true stereo mixes. If you’ve missed a day, search back. We’ll keep these tracks up for a limited time.

The Beatles, “Baby You’re a Rich Man” (German true stereo mix)

What I’m about to say may shock you: I’ve long loved this song. There are so many slight songs from The Beatles’ psychedelic phase that work primarily as showcases for McCartney’s heavy Rickenbacker bass parts. Paul’s reputation is typically as The Showman, The Cute One, The Writer of Granny Numbers, and even The Multitalented One, but he’ll never get all the credit he deserves as an Emotionally Engaging Bass Player. I’m not kidding: his basslines are the emotional center of so many songs, especially these half-baked psych-platitude pieces.

In this version of “Baby You’re a Rich Man” you get to hear even more of the bass – the lows and the attack of the picked strings. It’s one of Paul’s trademark songs. The song also features those little runs on an organ or some other kind of reedy instrument. What’s making those “raga” noises? I’ve always dug them, and I dig them even more on this version.

Finally, let’s not forget John Lennon‘s contributions to his own song. It might seem I’ve dismissed the song itself, but John’s commitment to the lead vocals and his enlightened point of view is worth tuning into. Lennon was in the middle of a long stretch of tuning in and out of Beatles activities, but when he tuned in, he could pull off almost any type of half-assed song with the best of them. This is no exception.

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Aug 262007
 


As I medidate on the beauty of unease that’s highlighted on the German true stereo release of Magical Mystery Tour, I’m finding that “Penny Lane” is one song that does not benefit from this mix. The song is too perfect, too much a product of the vibe that was at the mighty core of the Sgt. Pepper’s sessions for which it was originally recorded. Here’s the German true stereo version.

The Beatles, “Penny Lane” (German true stereo mix)

I prefer the crammed, fake stereo of the US release I grew up with. It’s totally in your face, like McCartney and like his airtight pop confection was meant to be.

[NOTE: If the gratuitous clip that kicks off this video doesn’t convince you nerds that the film Almost Famous actually was the most contrived piece of prepubescent proto-porn ever produced by Hollywood, as I’ve felt since first watching it, I don’t know what to say.]

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