There’s no birthday party for me here?! Anyone? Beuller, Beuller, Beuller…


As some of you know, a complimentary month’s subscription to eMusic is available through the link on the right column of Rock Town Hall. Some of you might find it worth a try, and some of you might stick with it. I’ve been a subscriber for about 6 months now, and as a rock ‘n roller I’m usually disatisfied with the ample selection of crap modern music that the indie rock reviewers/publicists tout. As an older head, eMusic is not loaded with those elusive reissues of Eric Burdon and the New Animals b-sides that are so easy to buy when faced with a Hobson’s Choice. Most months I need to do a little work to fill my shopping cart with 30 downloads, but I always come home satisfied with some cool stuff I might otherwise have never tried.
Sometimes I try on a Neu! for the fifth time and and find that, after having thought little of them the first four times I was exposed to their music, they now work like a charm! Lately I’ve been dipping my toes in international waters, primarily music from various parts of Africa I, sadly, could not identify on a map lacking labels. This month I downloaded a heap of Ethiopian music from something eMusic featured called The Éthiopiques Series. As I listen back and forth to Townsman Hrrundi’s latest edition of Thrifty Music and these new, old finds from Ethiopia, I thought I’d share a few with you. I know nothing about these artists and the songs, although I read that one of the artists is a key to the extremely groovy soundtrack of Jim Jarmusch’s Broken Flowers. Remember that cool music that plays throughout? Some of that stuff is from this Ethiopia scene from the late-60s through mid-70s. But I know nothing about any of it. Other than what I’m spinning this week. Enjoy the following tracks, about which I cannot even discern the artist vs track name!
Mahmoud Ahmed, “Almaz Men Eda New”
Tlahoun Gessesse, “Tezalegn yetentu”
Getatchew Mekurya, “Almaz Yeharerwa”
You can read about this series here.
Granted, the way this question is asked can easily be dismissed as “ridiculous” (or worse), but think of it this way: Can Malkmus’ work in Pavement be seen as a training ground for what he’s begun to do with his solo career?
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Every now and then we like to point out fine, fine works being conducted on the home turf of one of our Townspeople. I came across the following piece by Townsman 2000 Man, on his Whammo Blammo! blog. Here’s a snippet. You can read the whole thing by clicking on the title of this entry.
If you know someone that feels the need to shred now and then, that’s okay. So long as they stay in the basement and off the YouTube they should be okay. But when they ask other people to watch them shred, or worse yet they record themselves shredding and share this – it’s time for intervention. Advanced Shredomyalgia is nothing to laugh at. It virtually guarantees that a boy that grows into a man will repel estrogen in all forms, all the time. It’s a lonely path, lemme tell ya.
He had a ton of cool bands on when hardly anyone else would. And MAN I wish I had seen this Clash tour.
Also: Who could forget…
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