Nov 302007
 

After weeks of negotiations, Rock Town Hall has obtained exclusive rights to run excerpts from E-Street Band legend Clarence Clemons‘ forthcoming autobiography, No Small Parts for The Big Man. In our first installment Clarence recounts the day The Boss presented him with a new assignment.

By The River Danny was already getting half of my “touches” with that rinky-dink Farfisa organ. Some folks couldn’t leave that wheezy thing back in the garage. The garage rock contingency in the E-Street Band was always trying to make itself heard above he more complex, subtle members of the band, like Roy and Max. God bless ’em! I always saw myself as the bridge among the musicians, and it goes without saying that all roads led to The Boss himself. Now I don’t want you to get the wrong idea. I was all-state footballer long before anyone outside Norfolk County, Virginia had heard me blow my horn. The Big Man was a lineman, so “touches,” that is, opportunities to carry and catch the football, were not in my repertoire. I was in the trenches, making the quarterback and all the other pretty boys look good. These may not have been my glory days, but The Big Man could play. Attended Maryland State College (now the University of Maryland, Eastern Shore) on an football athletic scholarship. Thought I was headed for the show, the National Football League.

As it was, the Man with the Plan had another show in mind. My parents gave me the gift of my first saxophone, but the Lord gave me the breath to blow down any walls set in my way. With the spiritual guidance of our Maker and as many King Curtis records as I could lay my hands on, I was prepared for that first time The Boss called for “Big Man!” to step forward and take it home with a solo.

Bruce called us together for the first rehearsals toward an album he said would take us in a new direction. “My Daddy said to me the other morning at breakfast, ‘Bruce, when you gonna grow up and play some real music?’ I said, ‘Pops, whaddaya talkin’ about? I been playin’ real music…” Well, you know how Bruce can get on a roll about his breakfast chats with his dad. Long story short, according to him the old man sold him on the idea of streamlining his sound and putting out an album that would once and for all move beyond his comfort zone of middle class kids from the Northeast corridor. Sounded good to me.

Bruce began by walking us through a new song called “Born in the USA”. Continue reading »

Share
May 192007
 


Don’t know about you, but I need a good rock read. It’s been a long time since I’ve picked up anything I could really sink my teeth into. The last tome that really flipped my wig was Revolution in the Head, which came out about 10 years ago. I think we can help out here. I consider it our duty to let the pop intelligensia know what issues are worthy of exhaustive research. My hope is that one of those nuts will find this desperate group on google and dig away at one our proposed projects.

Mine are as follows:

1) King Records, or a biography of Syd Nathan. I don’t get it. There’s a Sun book, a Chess book, hell, there’s even a Trumpet, and Duke/Peacock book. Still, nothing on King! The guy that ran the show, the aforementioned Nathan was a legendary prick, but still had the smarts to sign up James Brown, Billy Ward and the Dominoes, Hank Ballard, Charlie Feathers (WAY overrated in my book, but nonetheless considered one of those biggies by the Nu-Nile crowd), Wynonnie Harris. . . .We’re talking about artists that influenced just about anyone who ever tried to form a band. Peter Guralnick, where are you? In college, I actually dropped out of a class to have more time to read Albert Goldman’s Elvis book (yeah, I know that’s frightening, but it was good and gossipy). Know that I would collect unemployment checks for 6 months to eat up whatever you found worthy enough to flop on the plate.

2) Brian Jones – His actual contributions to Stones recordings. Mark Lewisohn (or whatever the fuck his name is, the guy that wrote the Beatles Recording Sessions). I want you to revisit all those tapes with Mick, Keith, Charlie, and Bill to find out what contributions Brian actually made to each song. I have a feeling the results will be very surprising to those Jones die hards who swear is input is what made the Stones the greatest rock and roll band ever.

3) Curtis Mayfield – An exhaustive biography nothing short of the Stax accounting that came out about 6 years ago. I want it all. Every nook and cranny of info about his stuff as well as all his contributions to those incredible Vee Jay, Okeh, Windy C, and Mayfield singles. And here’s something neat -I’ve got an old fart buddy named Dennis Brennan, who used to be in a Magnificent Men kinda thing called the Intentions who recorded for Philips, a Mercury subsidiary, in the ’60s. He told me that he actually went to a mid-60s recording session where Mayfield was actually the drummer! If it so turns out that Mayfield is indeed the drummer on those Okeh records, the finding will be nothing short of the discovery of the dead sea scrolls. Stax guy, again whatever your name is, this one’s for you!

Well, that’s a start! I’d try to help out with the research myself, but there are too many roadblocks ahead: work, the raising of insufferable fearless brats, and daily visits with my rehab counselor.

Post those ideas!
E. Pluribus

Share
Mar 062007
 


One of my favorite rock biographies that I’ve ever read is a dog-eared copy of a book penned by former road manager Johnny Green & Garry Barker called, A Riot of Our Own: Night and Day with the Clash. I’ve passed this one on to friends and gotten it back by mail with compliments more than a few times in the past from touring bands, giving it out with the promise of a (hopeful) return. Each time someone spots it, I have the urge to give it away just so that it can be read and enjoyed by someone else.

Image from Amazon
A Riot of Our Own: Night and Day with the Clash by Johnny Green, Garry Barker

It’s made it into my all-time favorite rock biographies because of its ability to grab hold of my imagination no matter what part of the book I open a page to – The Clash in the late 1970s. Watching Rude Boy always kind of gave me that feeling too and I think that’s where this book got me as well – it sucked me right in through the eyes of Someone Who Was There, possibly getting spit on, sweat on and kicked, but there – sleeping in the tour bus, and knee-deep in the chaos. It made me feel like I was part of the crew, along for the ride. No BS, and a really strong narrative!

Image from Amazon
The Replacements’ Let It Be (33 1/3) by Colin Meloy

Another cool collection that I highly recommend, not necessarily all “rock biography” per se, but still worth a mention, are the books from the 33 1/3 series. I’ve only read The Replacements’ Let It Be, by Colin Meloy (lead singer for The Decemberists), but thoroughly enjoyed it, and I plan to pick up others. Meloy’s touching and personal essay detailed how hearing The Replacements album Let It Be impacted his life and that of his best friend in his early teens.
Continue reading »

Share

Lost Password?

 
twitter facebook youtube