Jul 262011
 

A while ago I got flamed for my support of the Live at Glassgow version of Paul McCartney‘s “Coming Up” being the better version (over the one-man band take), but you guys were up in arms over my support of the Wings Over America version of “Maybe I’m Amazed.” Truth is Faces did the best version of this song, IMO.

Last month there was a contest to see who could do the best cover of this song. (Damn, I wish I’d had time to put my version together for submission!)

Here’s the deal: Paul needs the Hall’s help in selecting a winner. Visit Paul’s YouTube page to judge the entrants for yourself. Share your favorite links to specific videos and your comments in this thread. Paul’s reading. He cares about what you have to say.

And remember: If you can’t say anything nice

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Feb 152011
 

Not that I ever wished for Ellen Foley, specifically, to cover one of my favorite slightly obscure, early Rolling Stones deep cutz, but yikes! Maybe some other day I’ll find a cover of “Stupid Girl” that lives up to my hopes.

What cover of a favorite obscure song are you sorry ever came to fruition?

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Jan 212011
 

I didn’t know there was a “Maurice” and I didn’t know The Radiants did anything but the excellent “Hold On.” Here, they outdo Curtis Mayfield & The Impressions on one of their own, lesser songs. What are your favorite reclaimed throwaways?

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Nov 222010
 

Which songwriter’s live or demo version of a song given away to another artist to record as a hit single do you like best (in live or demo form by original songwriter, that is)? The given-away hit single could not previously have been released in studio form by the songwriter.

Songs that come to mind that fit these criteria include “Because the Night” and “Fire,” by The Boss; “All the Young Dudes,” by David Bowie, and “Come and Get It,” the demo of which Paul McCartney told Badfinger to follow note for note to ensure the gold!

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Aug 182010
 

Hey, Gergley!

Mockcarr and I are about to form our umpteenth band together, in which we’re planning to focus on simple 60s beat music. One of the finalists for the set list is “Come On,” by Australian combo The Atlantics. I’m sure you’d be appalled that men of such exquisite taste would dare attempt to recreate something that veers so closely to the “garage” flavor. But that just begs the question: why exactly is it bad form for old geezers to play music like this? And a corollary question is: what forms of rock are okay — or decidedly not okay — for geezers to play in public?

I really want to know!

Your pal,

HVB

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Jul 312010
 


While researching some performances by the briefly reunited McGuinn, Clark & Hillman I stumbled across this cover of “Almost Saturday Night” by Gene Clark and Carla Olson. As some of you know, I feel The Byrds are one of the most difficult decent ’60s bands for me to like (although I tend to like the Gene Clark-sang jangly hits best). As some of you also know, I don’t readily tune into country music. I do, however, love Creedence Clearwater Revival and indentify with sufferers of Fogerty Syndrome. This laid-back country cover of a solo Fogerty song I discovered through Dave Edmunds‘ balls-to-the-wall cover is very good despite all the hazards, for me, that went into its making. That suggests that the song may be impossible to screw up. I think it’s a combination of the comforting chord progressions, the harmony lines, and the identifiable themes expressed in the lyrics. Have you ever heard a bad cover of “Almost Saturday Night?” Could you imagine one?

Are there other songs you can think of that can’t be screwed up, no matter who covers them and in what style they are covered?

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