Feb 052011
 

Buck Munger is one cool dude! Nearly 12 minutes of extensive research tells me that he worked for guitar and amplifier manufacturing companies. Check out his memories of working with Sunn amps and hanging with the likes of The Who, Jimi Hendrix, and The Buckinghams. Our friend Townsman Hrrundivbakshi, who will be hosting tonight’s special Thrifty Music edition of Saturday Night Shut-In, will be happy to read that Billy Gibbons was yet another intimate. I need to see if we can reach Mr. Munger. He seems like the type who would play well in the Hall.

I’ll tell you what: a 13th minute of research led me to this next video gem. Check it out…after the jump! Continue reading »

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Feb 032011
 

Larry Coryell, looking EXACTLY how an Ovation Roundback player was meant to look.

Mad props! to Townsman misterioso for sharing a link to the obituary for Charles H. Kaman, a pioneer in helicopter design and an all-around interesting man who also happened to invent one of the most dreaded pieces of musical gear, the Ovation Roundback acoustic guitar. Just thinking of that guitar makes me cringe.

My old guitar partner, Mike, used to have one of those things. Back in those days none of us had even a half-decent acoustic guitar, so when we needed an acoustic overdub on a 4-track demo, one of us would suck it up and play the Roundback. I hated the feel of that rounded, synthetic back against my inevitably sweaty belly. I hated the way the bottom of that guitar slid out, as if I was trying to play slide guitar or serve appetizers off the top of it. Seriously, if you click on no other link in this piece, check out this one! If that’s not going to alert the Rock Crimes Commission to the depth of this guitar’s societal ills I don’t know what will. Continue reading »

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Feb 022011
 

We all know Townsman Hrrundivbakshi‘s most-coveted, would-be “signature” piece of gear is the “harlequin” Gibson Firebird played by Adrian Gurvitz, of Baker-Gurvitz Army fame. (See video.) What piece of musical gear that you own or covet could be (or would be) considered your “signature” piece of gear?

It’s not something I could carry around and impress folks with, but mine is my “Coltrane box,” a Maestro Parametric Filter. If I had the energy to buy a signature axe and really learn to play the way I wish I could play I think I’d get a Fender Jazzmaster, like Tom Verlaine‘s.

Take it from me, you don’t have to be much of a musician (or a musician at all) to have an entry in this thread!

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Feb 022011
 

Sweet!

Musicians and music lovers, is there a “sweet spot” you can identify on an instrument you play? For instance, I love the G chord in barre position on the third fret. I spend a lot of time there. If I come over to your house and check out your guitar I’ll be sure to settle in on that fret. I love the third fret on a guitar, but better yet is the eighth fret on a guitar neck, a position I don’t get as many opportunities to play around as I should, but when I do it’s sweeeeeeeeet!

I am betting that drummers have a sweet spot on their kit, keyboardists have a sweet spot on a keyboard, etc. Let’s hear from you—and if talk of your instrument’s sweet spot gets a little steamy…heh, so it goes.

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Jan 132011
 

[Setting: Two young musicians are discussing a possible significant recording equipment purchase with Italian-born owner of long-running music store. Music Store Owner discusses his competition in relation to his quoted price.]

Music Store Owner: You know, everyone’s going to give you this: [makes crude gesture by inserting and removing forefinger on right hand through circle made with forefinger and thumb on left hand]. But I use Vaseline.

What’s the most memorable thing you’ve heard in a music store?

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Apr 092010
 

Here’s a personal favorite from a few years back. I’d never heard this song before it was mentioned by a Townsman. The resulting video that I uncovered is astounding on at least 25 levels. Plus I’m still fascinated – and intimidated – by the practice of playing a flashy song on an instrument in a music store. I’m way too clumsy and way too self-conscious to ever pull this off. I don’t even know what I’d play if I could play anything substantial and flashy. As it is I’m most likely to play the riff to The Kinks’ “Gotta Get the First Plane Home.” That’s easy, and it’s a good test of the low strings, which I favor.

This post initially appeared 3/29/07.

Very simple set up: Yesterday General Slocum mentioned a Stanley Clarke tune called “School Days” and the theme from Barney Miller than any bassist of a certain age felt compelled to play when testing out a bass in a music store. He likened this to guitarists playing the intro to “Stairway to Heaven”. What songs to you play on your instrument of choice when giving an instrument a test run in a music store? What do you play in hopes of turning on the other customers?

And while you’re at it, please see if you can’t help me list 25 things that are so wrong they’re right in this video.

I look forward to your responses.

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