Dec 162009
 

Walk on by…

I was listening to the first two dB’s albums on my iPod the other night, and I forgot that the CD I burned to my iTunes had some singles tacked on. Years ago I landed a six-pack of early dB’s singles, which along with awesome cover art included some songs I’d never heard on the two albums I’d been playing to death in the year leading up to that purchase. Way back when and again the other night I was underwhelmed by the song “Soul Kiss.” I remembered how hearing that song became a Holy Grail issue for me when I was 18 years old. I remembered how finally hearing it didn’t live up to the advance billing I’d somehow accepted as gospel.

Another Holy Grail that I shouldn’t have bothered chasing was that first Buzzcocks ep, Spiral Scratch. It took me about 10 years to finally shell out for that bad boy, and it sucks. The Buzzcocks aren’t the Buzzcocks, to me, without Pete Shelley singing lead. I never minded Howard Devoto singing for Magazine, despite never finding that band half as appealing as the Shelley and Steve Diggle-led Buzzcocks, but Spiral Scratch is not an ep I’d ever recommend tracking down and paying top dollar for – or even buying at a reasonable price as a CD reissue with bonus tracks, as I did.

You may disagree with my particular nonrecommendations, but I’m most interested in hearing your own walk-on-by nonrecommendations.

Share
Mar 062009
 

Eno catches a breeze.

UPDATED! Since this first posted, we’ve learned this is Brian Eno & The Winkies, from a BBC appearance. Seems this live band only supported Eno on a handful of gigs. All four songs from this session are now included for your pleasure. Thanks, BigSteve!

Somewhere on the Web, I believe on some Roxy Music site, there’s a very brief (20 seconds?) clip of Brian Eno and musicians in the studio, playing “The Paw Paw Negro Blow Torch.” I was really excited when I found this clip. I can’t find it at the moment, but supposedly it’s from a movie that was made of Eno in the studio at this time. I’ve never been able to find another frame of the movie on the Web, and it’s hard enough finding anything at all written about it. Just now I tried to find a capsule review of the film that I’ve seen before, but no dice: just a bunch of stuff regarding Eno’s work with U2 and Coldplay. Even a film and rock collector friend has had no dice finding a print of this film or more than the brief descriptions that we’ve occasionally run across. This guy’s got all kinds of obscure films in a warehouse, but he can’t get a sniff of this Eno film we so badly want to see.

Luckily I keep a bunch of stuff around, in a not so organized fashion, including CDs of mp3s I downloaded about 8 years ago on a computer that long since died. The IT guy at my old place of employment was able to extract all my precious downloaded mp3s and mpgs, including the following two: live tracks in the studio, I believe, of Eno and bandmates – possibly from this very film! I especially love the straightforward, Stonesy rhythm guitar of this version of “The Paw Paw Negro Blow Torch.” Enjoy.

Brian Eno, “The Paw Paw Negro Blow Torch (BBC)”

Brian Eno, “Baby’s On Fire (BBC)”

Brian Eno, “Totalled (BBC)”

Brian Eno, “Fever (BBC)”

Share
Oct 042008
 


While preparing for our upcoming intervention with Townsman Hrrundivbakshi I stumbled on a personal Rock Video Holy Grail: live performances by mid-70s John Cale of a couple of my favorite songs from Fear, the title track and “Buffalo Ballet”. (The titles the foreign production crew gave the songs are pretty funny.) Cale’s hair is long and greasy, friend of Rock Town Hall Chris Spedding is decked out in black leather and is about as thin as a B string, the sound and performances are shakey, in a satisfyingly human way… In past efforts to find cool videos of Cale I’ve found plenty of stuff from his bloated early ’80s period and plenty of stuff from his more subdued Elder Statesman period of the last 15 years. I’ve seen all the crappy footage of the Velvet Underground that’s floating about. Until now I’ve never seen live clips of Cale from around the time of this relatively fertile period.

Share
Aug 162008
 

I came across this Holy Grail – for me – of a YouTube clip today.

I’ve long been in awe of the elements that went into the funky space-rock of “Amazona”, from my favorite Roxy Music album, Stranded: Manzanera’s cool rhythm guitar part and otherwordly (especially on the album) solo, Ferry’s humorous delivery, and Paul Thompson’s rock-solid drumming, in particular. The song, like the best of early Roxy Music, both tickles my sense of psychic unrest and makes me laugh thanks to a tongue-in-cheek tone that extends from Ferry’s lyrics and vocals through the musical arrangements. (Phil Manzanera, on the first few Roxy Music albums and his appearances on Eno albums, is rock’s funniest guitarist.)

The first song I remember hearing by Roxy Music was “Love Is the Drug”, which was a hit just as I was entering my teen years and getting a sense of what needs I might have that this drug might fulfill. That song was easy to like thanks to its tight, funky/reggae groove and sly vocals. I may not have heard much by Roxy Music for the next few years, excepting a minor hit single from one of those later ’70s albums like Manifesto, until freshman year in college, when a friend/”spiritual advisor” turned me on to the first Roxy Music album. That album went down real easy – and still does to this day.

This was just around the time, I’m sorry to say, that I finally got to sample that love drug, if you know what I’m saying. By the end of freshman year I was in love with an actual girl that I could, you know, grope. Powerful stuff, for a first-time user. I hope you’ve all had a chance to experience this drug in multiple formulations.
Continue reading »

Share
Apr 152008
 

Yes! YouTube comes through with the next best thing to my #1 behind-the-scenes peek, which would be the making of XTC‘s English Settlement. Here’s the band in the first of a 10-part series of YouTubes on the making of “Towers of London”, or as I’ve read, the re-making of “Towers of London”, the released version of which had already been recorded. Nevertheless, I invite XTC and studio nerds to unite!

You know you want more!
Continue reading »

Share

Direction

 Posted by
Jan 102008
 

Townspeople,

I’m going to reach out to musicians of Rock Town Hall first, but I’ll leave the discussion open to non-musicians as well. Tonight I came across a personal Holy Grail video find on YouTube. It’s a 1980 live performance of “Dirty Blue Gene” by Captain Beefheart and the Magic Band. I’ve long searched for a live clip of this, my favorite Beefheart song, with a musical arrangement that works like a time-lapsed nature film. I share it with you following the the jump. But that’s not what I invite you to discuss.

Gary Lucas on Captain Beefheart

I also found this interview with former Beefheart guitarist Gary Lucas. He relates some experiences taking direction from his leader. I love hearing stories of how musicians collaborate and create. I’m banking on the suspicion that some of you do too.

Musicians, share your personal tales of a most memorable time taking or giving direction within a musical setting. Your experiences need not mirror those of Lucas; just offer them up for whatever they mean something to you. Non-musicians, feel free to add second-hand tales you’ve read or heard from musicians that have impressed you. Certainly I will not be the only Townsperson soaking in these tales.

Now onto the Beefheart performances from a 1980 French television broadcast!
Continue reading »

Share
Nov 202007
 


I was very excited to read one my favorite phrases in the world of rock used in The Big Dipper news release: “Lost Album.” Is there anything as exciting as a “Lost Album?!” Better than a reunion album, because it suggests a band in its heyday.

I only own, what I consider, two Lost Albums and both exceeded expectations. The Lost Album then is more rare and magnificent than the Bicentennial.

Continue reading »

Share

Lost Password?

 
twitter facebook youtube