Jun 122012
 

You say you’ve been meaning to check out Gentle Giant? Well, here’s your chance: an entire concert from 1978!

Watching this entire concert is daunting, but I encourage you to click on any point in the video, spend a minute or two, and and see if your highly developed Rock Town Hall sensibilities do not kick in. This performance, by a band dressed in the gamut of Rock’s Unfulfilled Fashion Ideas, is ripe with odd rock details that our Townspeople have made their specialty. For each RTH quirk you spot (eg, fashion/hair oddities, rock stances, specific soloing faces, instrumentation, RTH Glossary-defined behaviors) list it in the Comments section with an indication of the time in the clip—one detail per post—in Last Man Standing fashion!

Right off the bat, for instance, the clip features a guitarist in overalls. Another example: I clicked on the concert at the 14:35 mark to witness a man in an Oakland A’s jersey and hat playing vibes. Then I clicked again, around the 28-minute mark, to hear a guitarist playing a Dr. Q solo! Normal people don’t readily identify Dr. Q solos. We’re not normal.

Make sense? In short, click on this concert video at any point and I bet within 1 minute you’ll see something that delights your RTH sensibilities. Please share your discoveries so that others might see through your eyes. Thank you.

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Jun 012012
 

I feel like I’ve been on a reign of spreading bad vibes this week. I get that way sometimes. Sorry folks. As a remedy, I thought I’d share this video for “Happy Song,” by Baby’s Gang, featuring the legendary Boney M. As you enjoy this happy song and turn your thoughts away from issues of mediocrity and downright suck. I thought you’d find even more enjoyment through a Last Man Standing challenge seeking rock songs featuring a chorus of kids.

These songs must feature actual kids, not Yoko Ono, for instance, singing in a child-like voice on The Beatles’ “Bungalow Bill.” Also, despite how childish the songs might sound, they cannot actually be kiddie songs for a kiddie audience. Entries must be serious rock songs by serious rock artists, like Boney M. and his friends in Baby’s Gang, for serious rock fans. More or less.

Chances are other ground rules will develop in mid-competition, but as always, please limit yourself to one entry per comment. Don’t bogart this thread!

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May 212012
 

There’s a lot to be said for throwing down a Last Man Standing challenge that results in more than 400 comments. Ask hrrundivbakshi and cdm how it feels to grab so much attention and respect in the Halls of Rock. Short of attempting to break the 400-comment mark, it’s sometimes fun to see if one can craft the most specific Last Man Standing topic, one that even the finest minds in rock discourse have trouble topping after 3 or 4 entries. In that spirit, I’m pretty sure I’ve come up with our most-exclusive challenge ever: Songs That Clearly Reference the Signature Harmony Guitar Solos in Thin Lizzy’s “The Boys Are Back in Town.”

Songs that simply happen to have harmony solos will not be accepted. The harmony solos must be intentionally modeled after the harmony solos in “The Boys Are Back in Town.” Other Thin Lizzy songs that followed that hit may be acceptable; I’m willing to believe a band with so little to offer would have attempted to copy its most successful recording. However, these entries would have to follow “The Boys Are Back in Town,” and they would have to include instrumental passages that clearly ape the signature harmony solo in their signature song.

I can think of only 2 entries that satisfy these criteria. By the powers of the Hall, I cannot tell you what they are unless you first post them—one entry at a time. Now more than ever, don’t bogart this thread! If we come up with more than 2 entries that satisfy these criteria, I am willing to bet $5.00 that we do not come up with more than 5 entries, which may make this the most exclusive Last Man Standing ever. I know you people are smart, but I doubt even you are that smart.

Townspeople, put your brains to work!

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May 102012
 

It’s time for a Last Man Standing contest. You know how it works: if you have a submission, post it as a response. One submission per post, please. You may not respond twice in a row. The last man standing when all answers have been exhausted or time is up wins the RTH no-prize!

The rules:

  1. Present a rock video with an acting appearance by someone who was not yet well-known as an actor but would become one later.
  2. We’ll take off the table Springsteen’s “Dancing in the Dark,” featuring an unknown Courteney Cox, as the obvious example.
  3. The Sting Rule: Band members or other already-well-known non-actors or celebrities who later turned to acting are ineligible.
  4. The Liv Tyler Rule: Band members’ immediate family are ineligible. And while we’re on the subject of Aerosmith, let’s just make all Bon Jovi videos ineligible.

To start things off, I give you  the video for Tom Petty and the Heartbreakers’ “Swingin,'” from their 1999 album Echo, featuring Robin Tunney, now a lead actor in the popular TV show The Mentalist.

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Apr 182012
 

I’ve been a bit quiet around here lately because I’ve just landed myself a new job in as a technician in a town planning department, and I’ve been in a bit of a panic brushing up on (and learning from scratch some of) the things I will need to be able to do the job.

I ran my own business for a few years, but managed to get out just at the tipping point before heavy depression gave way to a nervous breakdown, and somehow in the midst of this found myself working for the local council.

This was about a year before the recession hit, and I spent a year being mocked for describing how people had simply stopped buying stuff from me and predicting that the mother of all depressions was about to happen. My father was self-employed all his working life and has described to me how he was a day away from bankruptcy several times, so I grew up knowing what recessions felt like, and also that they happen even if politicians tell you that this time they’ve brewed the snake oil to stop it from happening.

The three of us who had been taken on to do the most mindless task ever created by local government were sat just by the toilets, which gave ample opportunity for breaking off what we were doing to chat to people, or “network” as it is known these days according to Mrs H (MBA), and one day I was conversing with a town planner who has since become one of my best friends about music.

It transpired that neither of us had ever met another human being on the planet or any of the other planes we inhabit who admitted to enjoying An Evening With Wild Man Fischer, and certainly never met anyone else who owned a copy, before moving on to discover that both of us owned the record and that it had given both of us a great deal of pleasure, but that neither of our spouses would let us play it while they were in the house. Or the street. Or under any circumstances ever.

A few weeks later he told me that his administrator had walked out and asked if I might be interested in applying to be her replacement. I asked him what an administrator did and he told me he had very little idea, but thought that it was just “doing stuff.” I told him I could probably “do stuff,” so they sorted out the paperwork, and I’ve been “doing stuff” ever since. Before he moved on, we spent many happy minutes singing Larry duets at the start of our working day, until asked politely but firmly to desist by our colleagues.

I have often found myself humming this song since (although to be truthful I often found myself humming it before I became one). John Peel used to play it quite often, and I was always extremely fond of it.

Anyway, I’m not going to be a government administrator any more, but will have to think of myself as on the way to being a planner.

As a leaving present for the gang, I’d like to make a compilation of appropriate songs for planners, and also have some tunes in my head to hum when I’m thinking hard in my new job.

So I’ll start with the obvious: XTC, “Making Plans for Nigel”

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Mar 272012
 

What was up with that trend in the ’70s of calling your significant other “Mama”? I’m glad it has fallen out of favor because it always struck me as creepy, but I’d like to document just how widespread it was.

Please name a song in which the singer calls the object of their desire “Mama.” The person being called “Mama” cannot be the singer/narrator’s mother. The song does not have to be from the ’70s.

I’ll start with “Rock n Roll Mama,” by the Raspberries.

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