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It’s one thing for young Courteney Cox to fawn over The Boss before getting pulled onstage for some ’80s-style shimmying, but how’d you like to have this Suzanne woman in your face at every one of your shows? However, considering it’s Lou demonstrating his then-latest example of his music as it was meant to sound, I guess that’s the price you pay.
Thanks to Townsman Al for passing along this important development!
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Damn! Check out Lou’s commanding stage presence in this clip! I can’t believe he doesn’t always sing unencumbered by a guitar!
I apologize in advance for asking you to choose among so many gripping moments, but which of Lou’s gestures most resonate for you?
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As early as the 42-second mark, Lou can’t stand it anymore. How long until you bag it?
What do you consider a successful All-Star Jam – and by All-Star Jam I think the performance has to involve at least five or more disparate artists and at least seem like a somewhat impromptu performance. I doubt that The Last Waltz‘s star-studded finale of “I Shall Be Released” was that impromptu, but there are a few dozen notable musicians on stage. Chances are a dozen of them had to be following along, not quite sure if they knew the next chord or all the lyrics on the chorus. On the other hand, I don’t think songs composed specifically for an All-Star Jam count in this examination, such as “We Are the World” or the following: Continue reading »
Please keep “my people” far, far away from rock ‘n roll!
You can’t judge an album by its cover, but let’s face it: sometimes we do. Based on cover art alone, which album was most likely to suck?
When you finally heard that album with the lousy record cover, did it actually suck, was there truth in packaging?
What’s a rare example of an album with a lousy cover that far surpassed your unfair expectations?
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Lou kills ’em!
