I may soon find that my premise was not worth bringing to the Halls of Rock for possible scintillating discussion, but that’s the way it goes around here. Driving in this morning I was listening to a collection of obscure ’60s psych recordings that came with the recent edition of Mojo with a Who Sell-Out article and Nick Lowe interview. While enjoying the songs for what they were, I got to thinking about whether any “psychedelic” lyrics ever made an impression on me if they didn’t come from a band that had first established its lyrical cred through more traditional lyrics.
For instance, as a teenager I had no beefs with George Harrison‘s “The more one travels/The less one really knows” from The Beatles’ B-side “The Inner Light,” to show you how forgiving I could be. Same goes for a much better song, The Byrds‘ “Eight Miles High.” Cool music, cool enough sentiments. To this day I dig the lyrics of these songs. I’d already liked my share of songs and lyrics by these artists, so perhaps, based on some form of the Sincerity Fallacy, it sounded like progress when they moved into psychedelic territory.
On the other hand a song like “Journey to the Center of Your Mind,” cool as it is musically, never carried any weight with me musically. I don’t know if it’s because I didn’t have any prior respect for the lyrical content of The Amboy Dukes, but I’m more than willing to consider that to be the case. If “Strawberry Fields Forever” was the first single by The Beatles would I have brushed off the lyrics as nonsense plucked from the Psych Pshoppe? I’m equally willing to admit that I may not know how it is that I assess psychedelic lyrics from any source.
One band that trafficked in psychedelic lyrics from the starting gate, when they were “nobodies,” so to speak, and that hold up as well as any psych lyrics, in my mind, was Pink Floyd. Because I was not already a fan of later-day Floyd when I first heard the early stuff, I cannot say that they built up credibility after the fact. Those Syd Barrett lyrics actually sound original and inspired to me more often than not.
What are your experiences with psychedelic lyrics from artists who did not previously establish credibility as more conventional lyricists?
