Feb 122011
 

Following are two musical acts captured in rehearsal for a televised performance. Both acts feature dance steps in their musical performances. Your mission, should you choose it, is to compare and contrast rehearsal styles, with a focus on choreography, the dynamic among musicians, and so forth.

First, Dame Shirley Bassey, seen rehearsing and in interview on some German tv show:

Next, REM with Kate Pierson, rehearsing “Shiny Happy People” for their appearance on Saturday Night Live…after the jump!

Continue reading »

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Feb 082011
 

Once was enough...

It sucks being so easily dissatisfied. Yesterday I received a notification that Elvis Costello would be playing Philadelphia’s Tower Theater, where I enjoyed a number of cool shows in my youth and some midnight movies to boot. The Tower is a dirty, old theater that seats maybe 4000 people. It always had a good rock ‘n roll vibe, and I thought this would be the perfect opportunity to take my 13-year-old son to see one of my heroes.

“Is he still any good?” my boy wisely asked. He knows most of the classic records, which we spin regularly, but noted that he doesn’t hear me talking about any new releases.

“Well,” I had to admit, “he hasn’t been good for some time, but this could be a good show.”

Now I take that back. Continue reading »

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Jan 262011
 

A: Ask Jimmy Buffett.

Seriously, how do these musicians fall off stage? It’s not like they’re falling off some matchbox stage at a local club; they’re falling off the enormostages of enormodomes. Steven Tyler quickly to mind. He’s fallen off more than one stage. He’s had to navigate catwalks and hip checks, but most likely he was wasted.

Still, these are big stages and most of these artists who fall off stages aren’t shimmying along catwalks. I bet Mick Jagger‘s never fallen off a stage, a catwalk, or an inflatable penis. That guy’s a real pro. 

Patti Smith fell off the stage at CBGB’s, but she’s a dynamo and that old CBGB’s stage was pretty small. What’s Jimmy Buffett even doing near the edge of a stage? I can’t imagine him putting his foot up on a monitor and rocking forward like The Ramones. (I don’t recall stories of Joey ever falling off a stage, and he epitomized the gangly klutz.)

Didn’t Andy Partridge fall off a stage to end XTC’s live performance era? He was having a performance anxiety–related breakdown, so that fall was understandable. Scott Weiland‘s fallen off stages, wagons, you name it. Pink has fallen off a stage, but she was suspended in a harness while wearing a body stocking. A top-heavy Mariah Carey fell onstage, but I don’t think she landed off stage. Jimmy Buffett, according to reports, did.

HOLD THE PRESSES: Reports are now appearing that Buffett was blinded by the light!

Have you ever fallen off a stage or witnessed another musician doing so?

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Jan 112011
 

I went to see an old friend’s band last week and ended up staying through the end of the night to see not only my friend’s band but the stylishly suited opener and the final band on the bill, a young Brooklyn outfit called Apollo Run. No offense to the first two bands, who delivered the kind of fine, traditionally rocking sets I’ve come to expect of them, but I want to focus on Apollo Run.

As they started their set with some mellow songs along the lines of the first YouTube clip here, loaded with rug harmonies, I was both impressed by the band members’ ability to harmonize on nonsense syllables and a bit bugged by the fact that some of the songs reminded me of that Fleet Foxes appearance on Saturday Night Live last fall. As with Fleet Foxes, I was impressed by how deftly and specifically Apollo Run bugged me that way I was bugged by rug pioneers like Crosby, Stills & Nash. I thought there was a point when I would live long enough to never have to hear a certain type of music again, but I was wrong. Rug harmonies are back.

Then the band began to loosen up a bit. Their opening song’s promise of some Police-like dynamics resurfaced along with more rocking dramatics along the lines of Queen and poppier late-period prog bands, like Asia or something (super-cute, engaging singer/keyboardist/guitarist/trumpeter John McGrew would have killed leading a progressive arena band from the late-’70s). More modern influences, surely, came to the fore, influences I could not identify if my life depended on it. They were so anthemic and “1980s,” at times, that I had visions of young, buzz-cutted Tom Cruise and Val Kilmer high-fiving over their soaring harmonies. It was terrifying, but it made me regret some of what I might have missed out on during my too-cool-for-school youth. Continue reading »

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Dec 152010
 

Last night, Mr. Royale and I went to see Australian band Tame Impala perform at a small club here in San Francisco. They focused on their 2010 album, Innerspeaker, which could probably be safely be described as “retro” a la 1967. The show was all out psychedelia: barefoot musicians, long-neglected hair, oscilloscope images morphing in time with the chords, large amounts of medicinal herb wafting around us. And Tame Impala are clearly old-school in their influences: Wikipedia lists, among them, Cream, Love, Blue Cheer, CSNY, Steppenwolf, Jefferson Airplane. So when it came time for the encores, I was expecting something in a similar vein. Instead, as the distinct bass line and rim shots were painted in, we got an amazing, full court press cover of Massive Attack‘s 1997, “Angel.” It was followed by another cover, which neither of us initially identified, but with a little research found to be Blue Boy‘s 1998 dance hit, “Remember Me.”

I’m used to encores or other performed covers being used to cite PREVIOUS musical influences: for example I can recall Grizzly Bear doing a cover of the 1962 Spector song, “He Hit Me (and It Felt Like a Kiss).” So what was with Tame Impala fast-forwarding 30 years to reference a more recent musical genre (although “trip-hop,” which could be seen as a bastard child of the earlier psychedelia, and Remember Me” samples a ’60s single by Marlena Shaw)?

Have you had an experience of an unexpected encore? Did it make you change your mind about the band, for better or for worse?

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Nov 152010
 

We tend to think of grant writing and rock ‘n roll as a practice that only takes place in Scandanavian countries, but surely it is possible for American musicians to apply for grants to fund their high-brow rock excursions. What else would explain the rock-related career of Laurie Anderson?

For the good of musicians hoping to land a grant for their next rock project, please assess this video for its fine demonstration of elements of rock ‘n roll grant writing. I’ll tell you one thing that impresses the organizations awarding these grants: Adrian Belew.

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