Nov 032010
 

The Atlantic City police force’s confiscation of illicit drugs held by attendees of Phish’s recent 3-night stint left longtime fans of the jam band wondering what all the fuss had been about.

“I should have eaten my mushrooms before leaving the car,” said one 20-something fan who asked to remain anonymous following his first disappointing experience at a Phish concert after attending “dozens” of shows since the band’s 2009 reunion. “Without even a roach to smoke you could say the scales fell from my eyes: Booorrrrrrinnng!

“Their harmonies were better than I’d ever realized,” said Alex, 56, a jewler from New Hope, “but I don’t go to a Phish concert to relive the magic of the friggin’ Everly Brothers, not to mention I don’t travel to AC to get hassled by the Gestapo over a friggin’ joint.”

“The cops didn’t even care when I told them I have ADHD,” complained Brooks, 17, of Collingswood, NJ, who managed to keep only a strategically placed whippet after being frisked. “After getting bored out of my gourd by Trey’s endless jamming,” he chuckled, “maybe I do!”

Other fans whose drugs were confiscated expressed similar feelings of dissatisfaction with the band’s performance. Shaun, a 40-something fan who’s attended over 200 Phish shows since the demise of her beloved Grateful Dead, was more philosophical. “I mean, everyone has an off night now and then, you know? Maybe the cops took their stash too.”

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Oct 182010
 

Clean living!

Have you seen anyone in concert lately? Tell me about it.

Over the weekend I had to give up my tickets to see Nick Lowe, a show I’d been looking forward to seeing for months, so that  I could, uh…maybe you don’t want to know what came between me and seeing Lowe. Allow me to live vicariously and add to my recent regrets. Thanks.

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Oct 162010
 

Yeah, baby!

Recently, Rock Town Hall’s Erocktica division came across a Carlos Santana sex tape. To our knowledge this is the first public airing of this professionally produced but long-supressed group sex scenario in front of a live audience.

After taking the necessary legal precautions, we feel confident that the following clip is as legitimate as it is sexy. As lovely as you are likely to find this performance, however, it is definitely NSFW. Even on a weekend we only feel comfortable posting it after the jump…

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Oct 142010
 

Here’s an old thread on a topic that perhaps only Rock Town Hall is fit to fully document. Sadly some of the videos Townspeople posted no longer exist where they once did on YouTube, but maybe we can find new postings of those clips. I wouldn’t be surprised if we missed some killer stage formations way back when, so feel free to flesh out the record. I’m also curious, in revisiting this post, if we might begin the necessary task of cataloging and naming these memorable formations, so that future generations can readily identify a shared bank of archetypal formations to try out and expand on themselves.

One final note: It may be this thread where the controversial ZZ Top bison and buzzards tour first came up in discussion in the Halls of Rock. Bless you, General Slocum.

This post initially appeared 7/24/08.

As distinctive as the wishbone formation.

Quick! Just like I’m sure you can envision the stage formation of The Beatles on the Ed Sullivan Show, as pictured above, there must be other stage formations that are burned in your memory. Perhaps it’s The Rolling Stones on those risers, playing “Paint it Black” on one of their Sullivan appearances. Perhaps, like me, you occasionally take time to linger over the memory of Pere Ubu gathered in a philosophic group face off as they play “Birdies” in Urgh! A Music War.

What are the iconic rock stage formation that are burned in your memory? They can be alignments you saw in concert films, photos, or even live concerts you attended.

Burn, baby, burn!

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Jun 242010
 


Townsman Al just passed along the sad news of Kinks bassist Pete Quaife dying at 66 years of age. Although it’s hard to gauge how much magic Quaife contributed to a band led by control-freak Ray Davies, his departure from the band in 1969 marked the beginning of the end of The Golden Age of The Kinks. The band would make a couple more fine albums with replacement John Dalton, but Dalton’s Look never melded near as well as Quaife’s did with the Davies brothers and Mick Avory.

I wonder how late in his Kinks kareer this 1969 clip dates?
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NEXT: Rock Town Hall’s Official Eulogy…
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May 012010
 

In our recent thread examining things singers do during long solos and other instrumental breaks, we discussed the move known as The Anderson, named after Yes singer Jon Anderson‘s surprisingly effective, drama-free approach to commanding the stage during long stretches when he could have had nothing better to do than iron out the wrinkles in his dashiki. Someone wondered if the reference to the move’s lack of “drama” was a commentary on the brief period when the Drama-era Yes was led by Trevor Horn, then of The Buggles’ fame and soon to be better known as a producer of slick, fairly interesting ’80s (and beyond) pop. Although the reference to the Horn era was unintentional, this observation necessitated a full-blown examination of the contrasting instrumental break styles of Anderson and Horn.
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Feb 272010
 

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I’ve never heard anyone who’s seen The Kinks live say they were a great live band. I’ve never seen them myself because dating back to my high school days, when they were at their suprising arena-rock height and I’d hear live concerts of them, they never sounded like they’d deliver anything near what I loved about them on record, in the privacy of my bedroom. Then, into the early ’80s, they started making albums that didn’t interest me in the least – and from concert recordings I’d hear from that period they had the nerve to stand behind those new songs and play them live.

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As video evidence of my favorite rock bands became more accessible in the ’80s, even early performances of The Kinks with all their British Invasion exhuberance were unwhelming. There are many reasons for why The Kinks have never been known as anything more than a mediocre live band, but from what I’ve seen the reasons start with Ray Davies. He’s too self-conscious. The humor of The Kinks is in the music; he doesn’t need to play it up with the goofy hand gestures (see the 40-second mark of the above clip, where Ray’s pointless holstering and gesturing first kick in) and “Banana Boat Song” call-and-response nonsense. That stuff almost always takes me out of the performance and undercuts the ambiguities inherent in their music. It doesn’t help that Ray seems incapable of smiling without smirking.

Meanwhile, the poignancy of The Kinks’ music often gets lost in their live performances. That 1977 clip that Townsman misterioso provided of The Kinks playing “Celluloid Heroes” on British television was surprisingly straightforward and appropriately reserved, but too often, from what I’ve seen and heard, Ray can’t step forward as a clear, confident lead singer on a sensitive song and the band can’t lay back and support things in a subtle, interesting way to make what I feel is the heart of the sound of The Kinks work in a live setting. Am I way off base here; does any of this ring true?

I should note that there is ample video evidence of The Kinks lip-synching to their greatest, most poignant songs, and they demonstrate great skill at this then-nascent rock ‘n roll act. I’m not kidding – and this may be saying something that will help answer the question for you at the end of this piece.
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Before we get into the question I have for you, here’s an interesting clip I’d never seen before today. Ray is sans guitar and energetically fronting a full-title boogie band version of The Kinks, from a 1972 television show, if I’m getting this right. The clip even comes with the magical timecode that, in my opinion, makes any video at least two degrees cooler.
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