Jun 192012
 

I’ve always been on the fence concerning the Mod or Rocker schism. I do love my Eddie Cochran and Link Wray, but I also love my natty attire, Small Faces, The Creation, and The Action.

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/06/07-Brain-1.mp3|titles=The Action: Brain] [audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/06/01-Come-Around-1.mp3|titles=The Action: Come Around]

So, I’m not going to give a Wikipedia-style account of The Action here. Let’s just let them be the soundtrack for an inquiry.

Certainly, the Mods vs. Rockers clashes of the ’60s were overemphasized, and it’s not like they even mattered over here. Is it even a valid argument anymore, or did Ringo do away with the question in his famous Hard Day’s Night quip?

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/06/02-Something-To-Say.mp3|titles=The Action: Something to Say] [audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/06/02-In-My-Lonely-Room.mp3|titles=The Action: In My Lonely Room]

It comes down to a question of the importance of subculture and semiotics: the expressive forms and rituals of our groupings, be they mods, rockers, punks, skinheads, Portland-types, or Brooklyn-types.

This is superficial stuff, to be sure. We become intrigued by the mundane objects—an R.A.F. roundel, motorcycle boots, a safety pin, a flannel shirt—which nonetheless take on a symbolic dimension, and also grant us something of a self-imposed exile.

I don’t give a fuck so much, but there was a time when it was a serious rock-existential dilemma for me: “Wait, can I have a mod target, and love Gene Vincent? Can you do that?” Can I, to bring it up to the present day, dress like Jimmy in Quadrophenia and still be caught dead at Rock of Ages?

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/06/07-Just-Once-In-My-Life.mp3|titles=The Action: Just Once in My Life] [audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2012/06/10-Since-I-Lost-My-Baby.mp3|titles=The Action: Since I Lost My Baby]

In this context, the music we listen to serves as entertainment, diversion, and relevance, yes, but we also identify, adopting the sounds and their singers as signifiers to help us discover “where do I fit in?”

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Feb 132012
 

Choose one.

It’s been a few years now, hasn’t it, since Foo Fighters’ Dave Grohl added a full-on beard to his Look, and his band’s popularity has only continued to soar. Nevertheless, watching the GRAMMYS last night I remembered an unwritten rule I meant to write down about 10 years ago, while watching another band led by a thickly bearded singer who also wore glasses. I’m going to write it down now, and I urge lead singers the world over to consider this:

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Feb 112012
 

Fleet Foxes with J. Tillman (the bearded one).

As you certainly heard a few weeks ago, Fleet Foxes drummer J. Tillman has announced he is leaving the band after their upcoming tour of Japan to concentrate on a solo career. Tillman, like most other members of Fleet Foxes, wears a beard.

Although the band has not announced its plans for replacing Tillman, it is believed they will pick another bearded drummer. Beards play a major role in the music of Fleet Foxes, adding to the depth of the band members’ tightly woven Rug Harmonies. The challenge will be finding an appropriately bearded drummer, one whose beard compliments the beards of the other band members. This promises to be no easy task. It’s no surprise that the continuing members of Fleet Foxes have called on Rock Town Hall to consult them in the selection process.

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Rhythm Beard

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Jan 312012
 
Grown To Catch Spills

Built To Spill, featuring Doug Martsch on Lead Beard (Foreground) and Brett Nelson on Rhythm Beard (Background)

Any long-term follower of discussions in the Hall will note the ongoing importance of discussing Look as a factor in the success of musical acts. Today, we’re exploring a lesser known but nonetheless important Look phenomenon: The Rhythm Beard. Continue reading »

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Jan 152012
 

Mr. ShoLo Rising

Sweet Lou checks in on our discussions now and then. This morning, in response to ladymisskirroyale‘s Splitting Hairs commentary and a response within that thread by 2oo0 Man, he sent me a note with a link to the following live performance and these words:

Hey Rock Town Hall,

2K is right on regarding a rocker’s responsibility to allow his mane to cascade down his back. Tell your ’80s UK pouffy hair bands to stick it! Get back to me when any one of them tops this ‘do.

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Jan 142012
 

Not all pouffy hair bands are alike.

We here at RTH are interested in an in-depth understanding of music and all the minutiae that goes with it, including the musicians (David Bowie!, Paul Weller!), the culture (Hippies!), the way in which we listen to music (Headphones!), the ranking of the output of a band or artist (Top 10 Lists!)…and The Look (Sideburns!). So when Mr. Mod recently made this comment in regards to Paul Weller and the 1980s UK fashions, it made my blood go cold:

I don’t need anything beyond a couple of ABC, Orange Juice, Haircut 100, New Order, and Human League-type singles from that v-neck sweater/pouffy hair scene.

We at Rock Town Hall can not stand for this egregious misunderstanding of the fashion of an era! Just as we focus and comment on the subtle differences in a musician’s use of a Les Paul vs Fender, it is crucial to discern an artist’s or era’s fashion trends and the possible meaning behind those trends. And it is of utmost importance that when we include descriptors such as “v-neck sweater, pouffy hair scene” we know exactly whom we are talking about.

While the UK music scene of the early ’80s could be a swirling tea of fashion over function, each band worked very hard to craft a particular “Look” that acted as a signifier to other musicians and the music press.

Orange Juice: In love with VU, the Byrds, and Andy Warhol Pop Art, they adopted Ray-Ban glasses, nautical striped tees, fringed suede jackets, raccoon hats, plaid shirts, and jellies.

ABC: To reflect his love for disco and Roxie Music, Martin Frye et al adopted a slick, tailored look, which included gold lame suits.

New Order: Although the band members went on to disclaim the Third Reich references of their name, their early look was very similar to fellow Factory Records band, A Certain Ratio, and included military references such as tailored white shirts and shorts. Bernard Sumner appeared to have watched “The Tin Drum” too many times.

Haircut 100: I’ll give this one to Mod: when I think of Haircut 100, even I imagine those pretty blond boys with their sweaters and nicely-coiffed hair. And Nick Heyward’s smile was just so sparkly.

Human League: Who can forget (even if we try) Phil Oakey’s asymmetrical hair cut and heavy eyeliner? But before the girls came along, Human League’s dark, futuristic music and look were pretty gloom-and-doom and even featured some facial hair.

Perhaps Mod (and others?) are reacting to the way that these bands were promoted and adopted in the United States, and how they spawned such evil fashion offspring as Wham and Kajagoogoo. But to lump them all together would be a crime that we at RTH should not stand for!

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Dec 042011
 

I didn’t know about this ad campaign until I noticed it this evening, while holiday shopping in Center City. For the record, it doesn’t bother me that Bryan Ferry is now in H&M ads with his son. It just seems odd to me; really, Bryan should not be appearing in ads for clothes that I can afford.

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