Apr 072011
 

My daughter, Kate, is in the final year of her 5-year architecture program at Syracuse University. I won’t brag about her except to say that this semester she is taking a fantastic course; here’s the outline:

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Course Description

The Beatles changed the face of music, culture, business and technology forever.  This course examines how these changes came about, with an eye to anticipating further/future changes on these fronts.

Our guest lecturers will offer a comprehensive look at the Beatles including:

  • Business-the growth and maturation of some of the most important brands in history
  • History-the biographical stories of all key players, the evolution of the group and solo careers
  • Music-the evolving structure and character of their world changing sound
  • Social and cultural aspects-the profound impact on popular culture
  • Political-leveraging celebrity to advance political and social concerns
  • Technology-the role of innovation that went beyond songwriting and performance

Tentative Topics and Speakers by Week:

1/24/11: Peter Asher with Rupert Perry—The British Invasion. A McCartney song becomes a hit for Peter and Gordon. Apple Corps-A&R reflections. Life after Apple: managing and producing the Pantheon.

1/31/11: Martin Bandier and Rupert Perry—How important can one band be? Contextualizing the impact of the Fab Four on music, business, culture and society during the last fifty years. Continue reading »

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Mar 312011
 

I had no idea this John Lennon television appearance with Dudley Moore and Peter Cook existed. With all the Beatles stuff I’ve absorbed since childhood I would have thought I’d at least heard of this. I did not know that!

What’s the latest piece of rock knowledge you’ve learned that you were shocked to stumble across?

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Mar 232011
 

Will Your Mystery Date Be a Dream or a Dud?

All righty…looks like there’s no need for the Big Reveal (but you’ll get one anyhow). BigSteve and tonyola correctly played their “mockcarr option,” while hrrundivbakshi enthusiastically and sincerely stepped into a heaping pile of Mystery Date identification! Our Mystery Date was indeed Patto, featuring Mike Patto. The Mystery Songs were “Hold Your Fire” and “Hold Me Back.” Now that you know who this band is, I offer you “The Man,” another song that may be too long for some of you, but those of you lacking patience may miss out on some choice insights into the song’s subject matter.

Patto, “The Man”

[audio:https://www.rocktownhall.com/blogs/wp-content/uploads/2011/03/Patto_01_The-Man.mp3|titles=Patto, “The Man”]

The band released 3 albums, from 1970 to 1973, before disbanding, leaving an unreleased (until 1995) album in the can. Now, get your pad and pen ready, because I’m about to blow your Rock Town Hall mind and waste a lot of your time!

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Mar 182011
 

The topic for this post came to me today when I ran across this documentary (or is it a long-form ad?) about the Cry Baby Wah Wah pedal. I remembered George Harrison‘s song “Wah-Wah” from All Things Must Pass.

Wah-wah/You’ve given me a wah-wah

Now, I’ve read that George was using the term “wah-wah” to refer to a headache, which recording Let It Be with Paul in the director’s chair apparently gave him, literally or metaphorically enough to quit. But still, I like to think of the song as an ode to that piece of gear.

Are there other good songs about beloved musical equipment or instruments? Generic instrument references like The Beatles‘ “While My Guitar Gently Weeps” and Talking Heads‘ “Electric Guitar” (great lyrics, by the way!) are plentiful, but what about more particular instruments, like B.B. King‘s guitar “Lucille,” or specific items, like a Vox Amp or a Gretsch guitar, in songs?

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Mar 072011
 

Blah blah blah...

For god knows what reason a recent issue of Rolling Stone has a cobbled together piece on The Clash. I love The Clash and for years read everything I could on them, but there came a point when I could no longer stomach another hashed-over exercise in myth-making. Tell me something I don’t know already, maybe even some details on how particular records were made. Instead, as this Rolling Stone article does, it’s more of the same-old, same-old: band members from broken homes, The 101’ers, Keith Levene and the London SS, the dawn of Thatcherism, idealism of The Clash contrasted with the nihilism of the Sex Pistols, Bernie Rhodes, the sprawling blah blah blah of London Calling, etc. Enough! The same goes for another one of my favorite bands, The Beatles.

I’m finishing a biography of Elvis Presley, written by one of his Memphis Mafia cronies. I think this is the first Memphis Mafia memoir I’ve read. His close personal friends shed new light on the man. Last night I read about the time he smoked pot. For me, at least, there may be plenty more to learn about the King. I feel the same way about Bob Dylan. Until I see a police report and photos from his motorcycle accident, I hold out hope for learning new details about this great artist.

For what favorite artist would you like to see a moratorium placed on new biographies? Is there anything new you may learn about one of these artists? Perhaps a fellow Townsperson can revive your interest in reading a new biography on said artist. For instance, if anyone can tell me a single new thing about The Clash that I don’t know already, I’ll promise to finish reading this boring Rolling Stone article.

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Feb 162011
 

I’ve got a theory about why so many Beatles fans despise “She’s Leaving Home”: more than anything I think it’s in defense of George Martin, whose feelings were hurt when he was shut out of arranging the strings. That’s sweet of you, but really, the song’s not that bad! The way I hear my fellow Beatles fans talking about it I have to stop and check that they’re not actually talking about “Fool on the Hill” or one of Paul’s “Auntie” songs.

I think I’m onto something: your hatred of “She’s Leaving Home” is rooted in your desire to defend the honor of Sir George Martin.

As for substitute arranger Mike Leander, what is so bad about his work on that song? What might tasteful George Martin have done differently? I was surprised to learn that Leander had his hand in all sorts of records, most notably serving as Gary Glitter‘s partner in (musical) crime (eg, co-writing his hits, including “Rock ‘n Roll, pt 2”). I think he also did the saccharine string arrangements for The Rolling Stones‘ “As Tears Go By.” So there!

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Feb 072011
 

There'll be no more AAAAAAUGGGHHH!

We all know we’ve got strong opinions, weird ideas, and irritating hangups about this thing we call Rock. Further, we may all think we know why we’re guided by our peculiar illusions—and we have no problem holding forth endlessly, jabbing our fingers in the air, and blowing hard to convince others that we’re not fools for believing what we do.

But, really: do we really know ourselves well enough to know why we think the way we do? I say we do not! So when one of us comes forward with a decidedly peculiar position, shouldn’t we endeavor to help that Townsperson better understand the roots of that complex—rather than just try to convince them they’re wrong? Saturnismine, for example, thinks Nevermind is a better album than Revolver. I know Sat well enough to not bother trying to convince him he’s wrong about that. But I think I do owe him the courtesy of my best guess as to why he feels that way. It might help.

But let’s not pick on poor Saturnismine. I’ve got issues, too. For instance, I need somebody to explain to me why I find Al Green‘s secular music incredibly depressing, and thus almost unlistenable. That just doesn’t make any sense—does it? Can somebody help me here? Don’t tell me how or why I’m wrong. Help me understand why I feel that way.

Surely there are others among us with “bad rock thoughts” who could use a helping hand. Come forward, brothers and sisters, and share.  We’re here to help you understand. We’re here to help you heal—to help you love yourself again, as we have always loved you.

I look forward to your responses.

HVB

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