Jan 312009
 

Two-tight end alignment indicates Run

Prop bets on The Boss’ Super Bowl XLIII halftime performance are now open. Thanks to Townsman Chickenfrank for kicking these off. I’m starting out by bringing his suggested bets to The Main Stage and throwing in a few of my own. Feel free to do likewise. Now, let’s get it on!

Over/under:

  • Number of bandanas on stage: 1 1/2.
  • Maximum number of singers crowded around one mic at any time (ie, Rock ‘n Roll Iwo Jima alignment): 3.
  • Number of different songs he touches on in his 12 minutes: 6.
  • Number of hats on stage: 3.
  • Total count of everyone in the band: 10.
  • Football related: how many times will we see Warner’s wife in the stands? 3.

Other:

  • In what football alignment (eg, 4-3, 3-4, Power I…) will the band take the stage?
  • Will any member of the E Street Band wear a football jersey on stage?
  • Will The Boss holster his guitar at any point?
  • What will be the most significant clothing/Look move (eg, Bono flashing the American flag in the lining of his leather jacket, Janet Jackson flashing her boob)?
  • Will The Boss tell a between-song story of any length?
  • Will The Boss introduce a special guest performer?

Remember, any gambling that goes on tomorrow is for amusement purposes only.

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Jan 302009
 

The moment we’ve been waiting for is nearly upon us: The Boss will descend on the Super Bowl halftime show to christen a new era and, more importantly, promote his new album. When news of The Boss’ appearance first hit, way back in September 2008, we had no way of knowing he’d have a new album to promote. Does he open with the new single or stick it in the middle of his set? As we began doing when this post first appeared, there’s time to predict his set list. Will halftime have to last 4 hours? Will The Boss tell a story of the time his dad gave him a hard time for playing rock ‘n roll rather than trying out for the football team?

This post initially appeared 9/29/08.

Rock ‘n Roll Iwo Jima

The Boss will be resurrecting his mighty Iwo Jima of rock at the 2009 NFL Super Bowl halftime show. Although the event is a few months and many concussions, blown pool picks, and overblown endzone celebrations away, feel free to start blogging on your predictions for this performance…NOW!

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Jan 022009
 

In a recently posted poll I hoped to give you an opportunity to include write-in entries for this year’s upcoming RTH Foyer of Fame’s Second Annual Partial Lifetime Achievement Award and Chili Cookoff, but some genius spammer has apparently found a way to immediately load our polls with write-in responses that are, shall we say, off topic. The RTH Foyer of Fame is an important event, and we want to make sure that your voice is heard as the selection committee deliberates nominees.

As of this writing, nominees include John Mellencamp, J. Geils Band, Joan Jett, and the Doobie Brothers. We’re curious to know your thoughts on the mediocre merits of these nominees and see what other artists you might feel are worthy of the Foyer’s consideration.
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Dec 112008
 

Is it just me, or does this highly entertaining interview with the head Smashing Pumpkin say something about The Limits of Winner Rock?

Energy we can do something with. Apathy we can’t work with. Who’s above us? Who’s lighting the culture on fire? Nobody. We don’t have to live in that world. We have the biggest manager [Irving Azoff] in the world. He tells us we can get there, we will get there. We will crack the egg like we did in ‘92, without doing something embarrassing like working with Timbaland. We will find how to do our thing and make it work. I can write songs. We’re big boys. We’ll do it.

Is this what happens when you treat every single musical endeavor like you’re entering the ring? Is Corgan emulating post-game press conference-speak to an almost ridiculous level here?

Let me be blunt. When Bruce Springsteen puts out a new album I pay attention. Same with Neil Young. Because they’re major artists who have something to say. I consider us in that category. When we do something it should be taken seriously, even when we’re off. If we’re marginalized by the culture, we’re not going to play dead and say thank you for our B-plus status.

Admirable chutzpah, to the say the least, but I want to tell Bill: Saying so doesn’t make it so!

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May 222008
 


The exercise I’m about to propose may assume that you agree with my premise, that the accumulated wisdom expressed in the songs of some long-running, beloved artists boils down to one Key Message. Of course, as I roll out this idea, you are most welcome to disagree with my premise or any of the particular examples that I pose. First let me make sure you understand what I’m getting at.
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Apr 182008
 

In an effort to pay our respects to deceased Bruce Springsteen and the E-Street Band member Danny Federici, whose chugging keyboard parts probably added more down-to-earth fun than anyone else on the supposedly party music of The Boss, I instead came across the following, puzzling performances and an even more puzzling clip from god knows where. We’ll miss you, Danny.


Puzzling


Puzzling and disturbing


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Nov 302007
 

After weeks of negotiations, Rock Town Hall has obtained exclusive rights to run excerpts from E-Street Band legend Clarence Clemons‘ forthcoming autobiography, No Small Parts for The Big Man. In our first installment Clarence recounts the day The Boss presented him with a new assignment.

By The River Danny was already getting half of my “touches” with that rinky-dink Farfisa organ. Some folks couldn’t leave that wheezy thing back in the garage. The garage rock contingency in the E-Street Band was always trying to make itself heard above he more complex, subtle members of the band, like Roy and Max. God bless ’em! I always saw myself as the bridge among the musicians, and it goes without saying that all roads led to The Boss himself. Now I don’t want you to get the wrong idea. I was all-state footballer long before anyone outside Norfolk County, Virginia had heard me blow my horn. The Big Man was a lineman, so “touches,” that is, opportunities to carry and catch the football, were not in my repertoire. I was in the trenches, making the quarterback and all the other pretty boys look good. These may not have been my glory days, but The Big Man could play. Attended Maryland State College (now the University of Maryland, Eastern Shore) on an football athletic scholarship. Thought I was headed for the show, the National Football League.

As it was, the Man with the Plan had another show in mind. My parents gave me the gift of my first saxophone, but the Lord gave me the breath to blow down any walls set in my way. With the spiritual guidance of our Maker and as many King Curtis records as I could lay my hands on, I was prepared for that first time The Boss called for “Big Man!” to step forward and take it home with a solo.

Bruce called us together for the first rehearsals toward an album he said would take us in a new direction. “My Daddy said to me the other morning at breakfast, ‘Bruce, when you gonna grow up and play some real music?’ I said, ‘Pops, whaddaya talkin’ about? I been playin’ real music…” Well, you know how Bruce can get on a roll about his breakfast chats with his dad. Long story short, according to him the old man sold him on the idea of streamlining his sound and putting out an album that would once and for all move beyond his comfort zone of middle class kids from the Northeast corridor. Sounded good to me.

Bruce began by walking us through a new song called “Born in the USA”. Continue reading »

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