Sep 102007
 


The 101ers (live), “Lonely Mother’s Son”…ring a bell?

In the recent Last Man Standing: Suitcase Songs thread, I made mention of Joe Strummer having salvaged a song by his old band, The 101ers, for use in The Clash’s “Jail Guitar Doors”. Then, after 2000 Man called me on it, I started to doubt myself. Surely I’ve been wrong at least once before…but not this time. Here’s “Lonely Mother’s Son”, which features the entire chorus that would be used in “Jail Guitar Doors”. The verses ring a bell too, like something that might have been used on a song I usually skip on Sandinista. Let me know if you figure it out so I can save myself the effort of dropping the needle on one of those stinkers. Thanks.

Finally, some of you may know how much I dig The 101ers’ Elgin Avenue Breakdown album, which was a holy grail of sorts for me and my bandmates in our much younger days. “Lonely Mother’s Son” really sucks; there’s good reason it didn’t appear on the original vinyl release of this album. Rather than leave you possibly thinking “Is that all there is?” here are some of the tracks that give this album its pitcher-full of pub rock value. The last two tracks, covers that will ring a bell, were recorded live on a crappy cassette recorder. I love the sound of them, and through Strummer’s final 15 years of wandering, I wished he would have recorded a batch of kick-ass, low-fi pub rock recordings rather than waste his time name checking Ethiopian DJs on those ponderous Mescaleros albums.

“Letsagetabitarockin'”
“Keys to Your Heart”
“Motor Boys Motor”
“5 Star Rock ‘n Roll Petrol”
“Shake Your Hips”
“Junco Partner”
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Aug 162007
 

Of all the inherently cool bands with enough label support and public interest to reasonably be expected to capitalize on the video age, have any artists failed as miserably as The Rolling Stones and The Clash?

Granted, the Stones were already old when videos became a major marketing tool, but compared with their peers, have they even come up with something as “anti-clever” as George Harrison’s “I’ve Got My Mind Set On You” video? That one in which the sepia-toned Stones try to act cool while towering over New York City strives to be cool, but it’s quickly ruined its invasion of tired Victoria’s Secret models. Yeah, we know the ladies love you and you’ve collectively sired 107 illegitimate children to prove it.

Here’s what may be the most ambitious Stones video.

It plays like an episode of Walker, Texas Ranger. While the producer hired every sweaty Hispanic extra available on short notice and willing to work for meal money, he or she couldn’t have found a better fake moustache and glue than the bargain-basement stuff Oliver Stone likes to use on his period pieces? Did Stone have something to do with the making of this video? Jagger, like any actor in a film by Oliver Stone whose character requires facial hair, must answer one question: You don’t have a desk job with a dress code, the Principal and your Mom’s not going to give you a hard time, your mate is understanding of the demands put on your career…can’t you take a couple of weeks out of your schedule to grow a real moustache?

All that said, I can write off the failed opportunities of The Stones in the video age to the fact that they’d already conquered the genre, the world, the underage models of Brazil. The Clash is another matter, and I have determined exactly what held them back.
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Mar 062007
 


One of my favorite rock biographies that I’ve ever read is a dog-eared copy of a book penned by former road manager Johnny Green & Garry Barker called, A Riot of Our Own: Night and Day with the Clash. I’ve passed this one on to friends and gotten it back by mail with compliments more than a few times in the past from touring bands, giving it out with the promise of a (hopeful) return. Each time someone spots it, I have the urge to give it away just so that it can be read and enjoyed by someone else.

Image from Amazon
A Riot of Our Own: Night and Day with the Clash by Johnny Green, Garry Barker

It’s made it into my all-time favorite rock biographies because of its ability to grab hold of my imagination no matter what part of the book I open a page to – The Clash in the late 1970s. Watching Rude Boy always kind of gave me that feeling too and I think that’s where this book got me as well – it sucked me right in through the eyes of Someone Who Was There, possibly getting spit on, sweat on and kicked, but there – sleeping in the tour bus, and knee-deep in the chaos. It made me feel like I was part of the crew, along for the ride. No BS, and a really strong narrative!

Image from Amazon
The Replacements’ Let It Be (33 1/3) by Colin Meloy

Another cool collection that I highly recommend, not necessarily all “rock biography” per se, but still worth a mention, are the books from the 33 1/3 series. I’ve only read The Replacements’ Let It Be, by Colin Meloy (lead singer for The Decemberists), but thoroughly enjoyed it, and I plan to pick up others. Meloy’s touching and personal essay detailed how hearing The Replacements album Let It Be impacted his life and that of his best friend in his early teens.
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Jan 252007
 

Judging by both today’s poll and the All-Star Jam area, The People are in the process of speaking. We hear a call for a Critical Upgrade on The Clash’s Give ’em Enough Rope, and we’re bringing this issue front and center.

Here’s the deal, though, don’t expect your generous Moderator to do your bidding on this album. Discounting any album that includes “Ghetto Defendant” and “Red Angel Dragnet”, Give ’em Enough Rope is my least favorite Clash album. For almost every pile-driving song I love (eg, “Safe European Home”, “Tommy Gun”, “Stay Free”, “All the Young Punks”) not to mention the silly songs I can’t help but like (eg, “Guns on the Roof” and “Julie’s Been Working for the Drug Squad”) there is an absolute stinker so bad that it would have been rejected for inclusion on a Stiff Little Fingers album!

Now, should you choose, do the work!

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